"Serenade for cello and piano op. 63: Lied. Moderato" by Heinrich Hofmann, Nina Karmon, Oliver Triendl, Stefan Fehlandt, Wen-Sinn Yang, Georg Arzberger was released on May 12, 2023. The duration of Serenade for cello and piano op. 63: Lied. Moderato is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Serenade for cello and piano op. 63: Lied. Moderato's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Heinrich Hofmann, Oliver Triendl, Nina Karmon, Stefan Fehlandt, Wen-Sinn Yang, Georg Arzberger's "Heinrich Hofmann - Complete Piano Chamber Music" album is number 18 out of 22. On top of that, Germany appears to be the country where this track was created. Serenade for cello and piano op. 63: Lied. Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Serenade for cello and piano op. 63: Lied. Moderato by Heinrich Hofmann, Nina Karmon, Oliver Triendl, Stefan Fehlandt, Wen-Sinn Yang, Georg Arzberger to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romance in A (6 hands) 1891 | Sergei Rachmaninoff, Vladimir Ashkenazy, Vovka Ashkenazy, Dody Ashkenazy | F Major | 0 | 7B | 111 BPM | ||
Children's Album, Op. 39, TH 141: 15. Italian Song | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | D Major | 0 | 10B | 66 BPM | ||
Piano Trio No. 4 in E Minor, Op. 90, B. 166 "Dumky" (Excerpts Arr. P. Breiner for Piano): IIIa. Andante | Antonín Dvořák, Peter Breiner | A Major | 0 | 11B | 93 BPM | ||
Lyric Pieces, Op. 43: No. 1, Butterfly | Edvard Grieg, Håkon Austbø | F♯ Minor | 1 | 11A | 68 BPM | ||
Charmes: VI. … pour appeler la joie | Federico Mompou, Stephen Hough | E♭ Major | 0 | 5B | 82 BPM | ||
Piano Sonata No. 8 in C minor, Op. 13, "Pathétique": II. Adagio cantabile | Ludwig van Beethoven, Christian Leotta | A♭ Major | 0 | 4B | 104 BPM | ||
Piano Sonata No. 4 in A minor, D.537: I. Allegro ma non troppo | Franz Schubert, Daniel Barenboim | F Major | 1 | 7B | 121 BPM | ||
24 Preludes, Op. 34: No. 1 in C Major. Moderato | Dmitri Shostakovich, Tatiana Nikolayeva | D Minor | 0 | 7A | 70 BPM | ||
Symphony No. 5: IV. Adagietto. Sehr langsam (Arr. Hewitt) | Gustav Mahler, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
48 Esquisses, Op. 63, Book 3: No. 31, Début de quatuor | Charles-Valentin Alkan, Steven Osborne | C Major | 0 | 8B | 73 BPM |
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