"Carmen: Ouverture" by Georges Bizet, Orchestre D'Harmonie De La Garde Républicaine, Francois Boulanger had its release date on May 11, 2015. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Carmen: Ouverture's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Les ténors classiques, Francois Boulanger's "Les ténors classiques" album is number 4 out of 14. On top of that, France appears to be the country where this track was created. In terms of popularity, Carmen: Ouverture is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Carmen: Ouverture by Georges Bizet, Orchestre D'Harmonie De La Garde Républicaine, Francois Boulanger to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La belle au bois dormant, Op.66 : 'Valse' | Pyotr Ilyich Tchaikovsky, Orchestre D'Etat Du Palatinat Rhénan, Kurt Redel | B♭ Major | 1 | 6B | 100 BPM | ||
Guillaume Tell: Ouverture | Massimo Campigli, Orchestra Del Teatro Alla Scala, Milano | E Major | 7 | 12B | 164 BPM | ||
Hungarian Dance No. 1 in G Minor: Allegro molto | Johannes Brahms, London Festival Orchestra, Alfred Scholz | G Minor | 1 | 6A | 91 BPM | ||
Coppelia: Act I - Mazurka | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 2 | 9B | 82 BPM | ||
Symphony No. 40, 1st movement (Piano) | Royal Symphony Orchestra | G Minor | 5 | 6A | 110 BPM | ||
Farandole | Georges Bizet, Arthur Fiedler, Boston Pops Orchestra | D Major | 6 | 10B | 101 BPM | ||
Guillaume Tell: Overture: Allegro vivace (Finale) | Gioachino Rossini, Valery Gergiev, Wiener Philharmoniker | E Major | 4 | 12B | 151 BPM | ||
La chevauchée des Walkyries | Richard Wagner, Orchestre Symphonique De Radio-Télé-Luxembourg, Louis de Froment | G Major | 4 | 9B | 98 BPM | ||
Valse triste | Jean Sibelius, Bratislava Chamber Ensemble, Bratislava Radio Symphony Orchestra, Slovak Philharmonic | G Major | 0 | 9B | 170 BPM | ||
Le Carnaval des Animaux, R.125: 9. Le coucou au fond des bois | Camille Saint-Saëns, Antony Pay, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | E Major | 0 | 12B | 108 BPM |