Pyotr Ilyich Tchaikovsky, Orchestre D'Etat Du Palatinat Rhénan, Kurt Redel's 'La belle au bois dormant, Op.66 : 'Valse'' came out on 1991. With this song being about 5 minutes long, at 4:35, "La belle au bois dormant, Op.66 : 'Valse'" by Pyotr Ilyich Tchaikovsky, Orchestre D'Etat Du Palatinat Rhénan, Kurt Redel is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Tchaïkovsky: Symphonie No. 6 en si mineur, Pathétique, Op.74; La belle au bois dormant, Op. 66; Casse-Noisette, Op.71". In this album, this song's track order is #5. In terms of popularity, La belle au bois dormant, Op.66 : 'Valse' is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La belle au bois dormant, Op.66 : 'Valse' by Pyotr Ilyich Tchaikovsky, Orchestre D'Etat Du Palatinat Rhénan, Kurt Redel having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Dance No.1 in G Minor, WoO 1 | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | G Minor | 2 | 6A | 115 BPM | ||
Le Carnaval des Animaux: Fossiles | Camille Saint-Saëns, Eduard Brunner, Markus Steckeler, Martha Argerich, Nelson Freire, Gidon Kremer, Isabelle van Keulen, Tabea Zimmermann, Mischa Maisky, Georg Maximilian Hörtnagel | E♭ Major | 3 | 5B | 119 BPM | ||
Les quatre saisons, L'hiver: Largo | Antonio Vivaldi, Orchestre de Chambre National de Toulouse, Alain Moglia | E♭ Major | 1 | 5B | 79 BPM | ||
Danse hongroise n°2 en ré mineur: Allegro non assai vivace | Johannes Brahms, Orchestre Symphonique Mav de Budapest, Kurt Redel | B Minor | 3 | 10A | 131 BPM | ||
Bacchanale | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | D Minor | 2 | 7A | 145 BPM | ||
Die Flamme von Paris (Flames of Paris) (arr. March): Act IV: Moderato: Men's Variation | Boris Vladimirovich Asafiev, March, Sofia National Opera Orchestra, Boris Spassov | A♭ Major | 1 | 4B | 95 BPM | ||
Grande Valse Brillante In E Flat Major Opus 18 | Rigutto Bruno | A♭ Major | 2 | 4B | 85 BPM | ||
New Moon (From "The Twilight Saga - New Moon") | Alexandre Desplat, Renaud Capuçon, Stéphane Denève, Brussels Philharmonic | A Minor | 2 | 8A | 100 BPM | ||
Dance of the Knights (From "Romeo and Juliet", Op. 64) | Sergei Prokofiev, Gautier Capuçon, Jerome Ducros, Johanna Malangré, Orchestre national de Bretagne | A♭ Minor | 2 | 1A | 113 BPM | ||
Má vlast, JB 1:112: II. Vltava, "The Moldau" | Bedřich Smetana, Gustav Kuhn, Bamberg Symphony | C Major | 4 | 8B | 128 BPM |
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