The Tender Land Act I: Introduction and Love Music
Aaron Copland, Boston Symphony Orchestra, Cleveland Pops Orchestra, Columbia Symphony Orchestra, Philadelphia Orchestra
American Compositions
10:19 November 28, 2014
BPM
83
Key
F♯ Major
Camelot
2B

Embed

Share Link

The Tender Land Act I: Introduction and Love Music - Aaron Copland, Boston Symphony Orchestra, Cleveland Pops Orchestra, Columbia Symphony Orchestra, Philadelphia Orchestra Information

Acousticness
97%
Danceability
8%
Energy
11%
Instrumentalness
94%
Liveness
8%
Loudness
69%
Speechiness
4%
Valence
4%
Popularity
Loudness
-18.318 dB

Summary

"The Tender Land Act I: Introduction and Love Music" by Aaron Copland, Boston Symphony Orchestra, Cleveland Pops Orchestra, Columbia Symphony Orchestra, Philadelphia Orchestra was released on November 28, 2014. The Tender Land Act I: Introduction and Love Music appears to be safe for all ages as it is not explicit. The song is number 5 out of 9 in American Compositions by New York Philharmonic Orchestra, Louis Lane, Andre Kostelanetz, Aaron Copland, Eugene Ormandy, Leonard Bernstein, Cleveland Pops Orchestra, Boston Symphony Orchestra, Columbia Symphony Orchestra, Philadelphia Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The Tender Land Act I: Introduction and Love Music is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Tender Land Act I: Introduction and Love Music BPM

The tempo marking of The Tender Land Act I: Introduction and Love Music by Aaron Copland, Boston Symphony Orchestra, Cleveland Pops Orchestra, Columbia Symphony Orchestra, Philadelphia Orchestra is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

The Tender Land Act I: Introduction and Love Music Key

F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
The Firebird Suite *: Firebird: Lullaby by Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander RahbariThe Firebird Suite *: Firebird: LullabyIgor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander RahbariA♭ Minor01A66 BPM
4 Dance Episodes from Rodeo: III. Saturday Night Waltz by Aaron Copland, Leonard Bernstein, New York Philharmonic4 Dance Episodes from Rodeo: III. Saturday Night WaltzAaron Copland, Leonard Bernstein, New York PhilharmonicE♭ Major15B73 BPM
Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato by Ralph Vaughan Williams, Hallé, Sir Mark ElderSymphony No. 3 - 'Pastoral Symphony': I. Molto moderatoRalph Vaughan Williams, Hallé, Sir Mark ElderA Minor08A81 BPM
Scheherazade, Op. 35: I. Largo e maestoso by Nikolai Rimsky-Korsakov, Michel Schwalbé, Berliner Philharmoniker, Herbert von KarajanScheherazade, Op. 35: I. Largo e maestosoNikolai Rimsky-Korsakov, Michel Schwalbé, Berliner Philharmoniker, Herbert von KarajanC Major18B74 BPM
La Fille aux cheveux de lin, L. 117, No. 8 by Claude Debussy, Isaac Stern, Frank Brieff, Columbia Symphony OrchestraLa Fille aux cheveux de lin, L. 117, No. 8Claude Debussy, Isaac Stern, Frank Brieff, Columbia Symphony OrchestraG Major19B63 BPM
Firebird Suite - 1919 Version by Chicago Symphony OrchestraFirebird Suite - 1919 VersionChicago Symphony OrchestraB Major11B80 BPM
Serenade in B flat, K.361 Serenade in B flat, K.361 "Gran partita": 3. AdagioWolfgang Amadeus Mozart, Academy of St. Martin in the Fields Wind Ensemble, Sir Neville MarrinerE♭ Major45B89 BPM
Concerto for Oboe and Strings: 1. Rondo Pastorale by Ralph Vaughan Williams, Celia Nicklin, Academy of St. Martin in the Fields, Sir Neville MarrinerConcerto for Oboe and Strings: 1. Rondo PastoraleRalph Vaughan Williams, Celia Nicklin, Academy of St. Martin in the Fields, Sir Neville MarrinerE Minor19A81 BPM
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia by Aram Khachaturian, London Symphony OrchestraKhachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and PhrygiaAram Khachaturian, London Symphony OrchestraA♭ Major14B88 BPM
Petite suite, L. 65: I. En bateau (Orch. by Henri Busser) by Claude Debussy, Yoav Talmi, Orchestre Symphonique De QuébecPetite suite, L. 65: I. En bateau (Orch. by Henri Busser)Claude Debussy, Yoav Talmi, Orchestre Symphonique De QuébecB Minor010A75 BPM
ISRC
GBAVQ1400647
Label
L-M Records/RCA Records

Section: 0.7537214756011963

End: 0.7578675746917725