"The Tender Land Act I: Introduction and Love Music" by Aaron Copland, Boston Symphony Orchestra, Cleveland Pops Orchestra, Columbia Symphony Orchestra, Philadelphia Orchestra was released on November 28, 2014. The Tender Land Act I: Introduction and Love Music appears to be safe for all ages as it is not explicit. The song is number 5 out of 9 in American Compositions by New York Philharmonic Orchestra, Louis Lane, Andre Kostelanetz, Aaron Copland, Eugene Ormandy, Leonard Bernstein, Cleveland Pops Orchestra, Boston Symphony Orchestra, Columbia Symphony Orchestra, Philadelphia Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The Tender Land Act I: Introduction and Love Music is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Tender Land Act I: Introduction and Love Music by Aaron Copland, Boston Symphony Orchestra, Cleveland Pops Orchestra, Columbia Symphony Orchestra, Philadelphia Orchestra is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Firebird Suite *: Firebird: Lullaby | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | A♭ Minor | 0 | 1A | 66 BPM | ||
4 Dance Episodes from Rodeo: III. Saturday Night Waltz | Aaron Copland, Leonard Bernstein, New York Philharmonic | E♭ Major | 1 | 5B | 73 BPM | ||
Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | A Minor | 0 | 8A | 81 BPM | ||
Scheherazade, Op. 35: I. Largo e maestoso | Nikolai Rimsky-Korsakov, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 74 BPM | ||
La Fille aux cheveux de lin, L. 117, No. 8 | Claude Debussy, Isaac Stern, Frank Brieff, Columbia Symphony Orchestra | G Major | 1 | 9B | 63 BPM | ||
Firebird Suite - 1919 Version | Chicago Symphony Orchestra | B Major | 1 | 1B | 80 BPM | ||
Serenade in B flat, K.361 "Gran partita": 3. Adagio | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields Wind Ensemble, Sir Neville Marriner | E♭ Major | 4 | 5B | 89 BPM | ||
Concerto for Oboe and Strings: 1. Rondo Pastorale | Ralph Vaughan Williams, Celia Nicklin, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Petite suite, L. 65: I. En bateau (Orch. by Henri Busser) | Claude Debussy, Yoav Talmi, Orchestre Symphonique De Québec | B Minor | 0 | 10A | 75 BPM |
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