"Serenade in B flat, K.361 "Gran partita": 3. Adagio" by Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields Wind Ensemble, Sir Neville Marriner was released on January 1, 1995. Serenade in B flat, K.361 "Gran partita": 3. Adagio is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Sir Neville Marriner, Holliger Wind Ensemble, Academy of St. Martin in the Fields's "Mozart: Serenade for 13 Wind Instruments/Serenade K.375 etc" album is number 4 out of 14. On top of that, Netherlands appears to be the country where this track was created. Serenade in B flat, K.361 "Gran partita": 3. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Serenade in B flat, K.361 "Gran partita": 3. Adagio by Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields Wind Ensemble, Sir Neville Marriner to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grieg: 2 Elegiac Melodies, Op. 34: No. 2, Last Spring (Orchestral Version) | Edvard Grieg, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 1 | 9B | 84 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Staatskapelle Dresden, Silvio Varviso | F Major | 0 | 7B | 88 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Karelia Suite, Op.11: 1. Intermezzo (Moderato) | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 1 | 5B | 182 BPM | ||
Carmen Suite No. 2: Danse bohème | Georges Bizet, London Symphony Orchestra, Sir Neville Marriner | C Major | 1 | 8B | 132 BPM | ||
Adagio for Strings, Op. 11 - Live | Samuel Barber, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Minor | 0 | 3A | 86 BPM | ||
Klarinettenkonzert A-Dur, K. 622: 2. Adagio (Jenseits von Afrika): II. Adagio | Wolfgang Amadeus Mozart, David Shifrin, Mostly Mozart Orchestra, Gerard Schwarz | D Major | 0 | 10B | 78 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Vivaldi: Concerto for Two Trumpets in C Major, RV 537: II. Largo | Antonio Vivaldi, Sir Neville Marriner, Bernard Soustrot, Maurice André, Academy of St. Martin in the Fields | C Major | 0 | 8B | 99 BPM |
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