"Nocturne No. 14 in F-Sharp Minor, Op. 48, No. 2" by Frédéric Chopin, Maria João Pires was released on January 1, 1996. Since Nocturne No. 14 in F-Sharp Minor, Op. 48, No. 2 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 21 in Chopin: The Nocturnes by Frédéric Chopin, Maria João Pires. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Nocturne No. 14 in F-Sharp Minor, Op. 48, No. 2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nocturne No. 14 in F-Sharp Minor, Op. 48, No. 2 by Frédéric Chopin, Maria João Pires is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Debussy: En blanc et noir, pour piano à quatre mains, CD 142, L. 134: I. Avec emportement (Live) | Claude Debussy, Martha Argerich, Stephen Kovacevich | D Minor | 0 | 7A | 107 BPM | ||
Mazurka No.2 In C Sharp Minor Op.6 No.2 | Frédéric Chopin, Vladimir Ashkenazy | A♭ Major | 1 | 4B | 140 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Études-tableaux, Op. 39: No. 2, Lento assai | Sergei Rachmaninoff, Boris Giltburg | A Minor | 0 | 8A | 65 BPM | ||
24 Préludes, Op. 28: No. 23 in F Major | Frédéric Chopin, Maria João Pires | F Major | 1 | 7B | 108 BPM | ||
Ma mère l'oye, M.60: 1. Pavane de la Belle au bois dormant: Lent | Maurice Ravel, Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | C Major | 0 | 8B | 105 BPM | ||
48 Esquisses, Op. 63, Book 3: No. 31, Début de quatuor | Charles-Valentin Alkan, Steven Osborne | C Major | 0 | 8B | 73 BPM | ||
Images - Book 1, L. 110: III. Mouvement | Claude Debussy, Arturo Benedetti Michelangeli | A Major | 0 | 11B | 126 BPM | ||
Piano Sonata In F Minor, P. 16: III. Allegretto | Ottorino Respighi, Konstantin Scherbakov | B♭ Minor | 1 | 3A | 98 BPM |
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