Südfunk-Chor, Sir Neville Marriner, Radio-Sinfonieorchester Stuttgart, Barbara Bonney, Jan-Hendrik Rootering, Hans Peter Blochwitz made "Die Schöpfung HobXXI/2, PART 1: Mit Staunen sieht das Wunderwerk:Sopran-Solo (Gabriel) mit Chor" available on 1990. With Die Schöpfung HobXXI/2, PART 1: Mit Staunen sieht das Wunderwerk:Sopran-Solo (Gabriel) mit Chor being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Sir Neville Marriner's "Haydn: Die Schoepfung" album is number 5 out of 35. In terms of popularity, Die Schöpfung HobXXI/2, PART 1: Mit Staunen sieht das Wunderwerk:Sopran-Solo (Gabriel) mit Chor is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Die Schöpfung HobXXI/2, PART 1: Mit Staunen sieht das Wunderwerk:Sopran-Solo (Gabriel) mit Chor by Südfunk-Chor, Sir Neville Marriner, Radio-Sinfonieorchester Stuttgart, Barbara Bonney, Jan-Hendrik Rootering, Hans Peter Blochwitz to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Preghiera | Gioachino Rossini, Südfunk-Chor, Helmut Wolf | E Major | 2 | 12B | 106 BPM | ||
Davide penitente, K. 469: Trio: Tutte le mie speranze (Soprano 1 and 2, Tenor) | Wolfgang Amadeus Mozart, Trine Wilsberg Lund, Kristina Wahlin, Lothar Odinius, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Minor | 1 | 9A | 95 BPM | ||
Les 7 paroles du Christ: 6e Parole - "Pater, in manus tuas" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | D Minor | 0 | 7A | 66 BPM | ||
Concerto in E Major, S 49, WoO 1: I. Allegro con spirito | Johann Nepomuck Hummel, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov | B Major | 1 | 1B | 123 BPM | ||
Symphony No. 2, Op. 52, "Lobgesang": III. Recitativo, Tenor solo: Saget es, die ihr erlöst seid | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Patrick Grahl | E Major | 1 | 12B | 72 BPM | ||
Elias, Op. 70: Teil II: Gehe wiederum hinab | Felix Mendelssohn, Thomas Hengelbrock | D Major | 3 | 10B | 126 BPM | ||
Requiem, Communio: I. Lux æterna | Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi | E♭ Major | 1 | 5B | 129 BPM | ||
Divertimento No. 1, Op. 20: IV. Verbunkos | Leó Weiner, Budapest Strings, Karoly Botvay | C Major | 0 | 8B | 107 BPM | ||
Grande Messe des Morts: XVI. Sequentia: Judicandus - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | B♭ Major | 1 | 6B | 113 BPM | ||
Messiah, HWV 56: Part 2: Surely He hath borne our griefs (Chorus) | Nikolaus Harnoncourt | G Major | 3 | 9B | 159 BPM |
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