"Requiem, Communio: I. Lux æterna" by Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi was released on September 11, 2020. With Requiem, Communio: I. Lux æterna being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Niccolò Jommelli, Various Artists's "Jommelli: Requiem" album is number 18 out of 27. Based on our statistics, Requiem, Communio: I. Lux æterna's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem, Communio: I. Lux æterna by Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Laudate Pueri: I. Laudate Pueri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Handel: Hercules, HWV 60, Act 2: "Joys of Freedom" (Dejanira, Iole) | George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies, Lea Desandre | E Minor | 1 | 9A | 59 BPM | ||
Lamentazioni del profeta Geremia per il Mercoledì Santo, Lamentazione terza: Le Lamentazioni del profeta Geremia per il Mercoledi Santo, Lamentazione terza: O vos omnes | Niccolò Jommelli, Filippo Mineccia, Nereydas, Javier Ulises Illán | F Minor | 2 | 4A | 70 BPM | ||
"Nun komm, der Heiden Heiland" BWV 61: Overture (Chorus): "Nun komm, der Heiden Heiland" | Johann Sebastian Bach, Ton Koopman | B♭ Minor | 2 | 3A | 173 BPM | ||
La parca | Cataldo Amodei, Cappella Mediterranea, Leonardo García-Alarcón, Léo Fernique | B♭ Minor | 0 | 3A | 110 BPM | ||
When Saul was king: II. How are the mighty fallen | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music, Helen Charlston, Guy Cutting | B Minor | 2 | 10A | 71 BPM | ||
Te deum, LWV 55: IV. Patrem immensae majestatis | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Céphale et Procris, Prologue: Chœur. Chantons, chantons sa valeur immortelle | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis, Chœur De Chambre De Namur | F Minor | 1 | 4A | 75 BPM | ||
Te Deum: XIII. In te Domine speravi | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Dixit Dominus, HWV 232: VIII. Conquassabit capita | George Frideric Handel, Vox Luminis, Lionel Meunier | A Major | 1 | 11B | 101 BPM |
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