Marc-Antoine Charpentier, Felicity Lott, Eiddwen Harrhy, Charles Brett, Ian Partridge, Stephen Roberts, Choir of King's College, Cambridge, Philip Ledger, Academy of St. Martin in the Fields made "Te Deum H146 (1989 Digital Remaster): In te Domine speravi" available on 1989. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 18 in Charpentier - Sacred Choral Works by Marc-Antoine Charpentier, Dame Felicity Lott/Choir of King's College, Cambridge/Academy of St Martin-in-the-Fields/English Chamber Orchestra/Sir Philip Ledger/Sir David Willcocks/Eiddwen Harrhy/April Cantelo/Helen Gelmar/Charles Brett/James Bowman/Ian Partridge/Step, Philip Ledger, Sir David Willcocks, Academy of St. Martin in the Fields, English Chamber Orchestra. Based on our statistics, Te Deum H146 (1989 Digital Remaster): In te Domine speravi's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Te Deum H146 (1989 Digital Remaster): In te Domine speravi by Marc-Antoine Charpentier, Felicity Lott, Eiddwen Harrhy, Charles Brett, Ian Partridge, Stephen Roberts, Choir of King's College, Cambridge, Philip Ledger, Academy of St. Martin in the Fields is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Prélude pour le Magnificat à quatre voix, H. 533 | Marc-Antoine Charpentier, La Capella Reial De Catalunya, Jordi Savall, Montserrat Figueras, Maria Cristina Kiehr, Gérard Lesne, John Elwes, Josep Cabre, Le Concert Des Nations | D♭ Minor | 2 | 12A | 93 BPM | ||
Te Deum - koperkwartet | Martin Malto, Marc-Antoine Charpentier, Klassieke Muziek | D Major | 2 | 10B | 75 BPM | ||
The Fairy Queen, Z. 629: Rondeau | Henry Purcell, Les Nouveaux Caractères, Sébastien d'Hérin | A Major | 1 | 11B | 124 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": III. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 120 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 87 BPM | ||
Flute Sonata in E Minor, Op. 5, No. 8: II. Allemanda: Allegro | Arcangelo Corelli, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | D Minor | 2 | 7A | 128 BPM | ||
Sonata sesta for violino solo: VI. Allegro [2] | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 3 | 9A | 93 BPM | ||
Mondonville : In exitu Israel : "Mare vivit" | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | D♭ Major | 3 | 3B | 62 BPM | ||
Lully : Ballet des Muses : "Trop indiscret Amour" [Euridice] | Jean-Baptiste Lully, William Christie, Les Arts Florissants | F Minor | 1 | 4A | 71 BPM |
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