"Bachianas brasileiras No. 7: III. Toccata: Desafio (Joust)" by Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn was released on November 15, 2005. Since Bachianas brasileiras No. 7: III. Toccata: Desafio (Joust) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Villa-Lobos: Bachianas Brasileiras (Complete) by Heitor Villa-Lobos, Andrew Mogrelia, Kenneth Schermerhorn. The song's track number on the album is #3 out of 29 tracks. In terms of popularity, Bachianas brasileiras No. 7: III. Toccata: Desafio (Joust) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bachianas brasileiras No. 7: III. Toccata: Desafio (Joust) by Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn has a tempo of 111 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Bachianas brasileiras No. 7: III. Toccata: Desafio (Joust) being at 111 BPM, the half-time would be 56 BPM with a double-time of 222 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied | Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 100 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | ||
Piano Concerto in D Flat Major: 2. Andante con anima | Aram Khachaturian, Alicia de Larrocha, London Philharmonic Orchestra, Rafael Frühbeck de Burgos | D Minor | 1 | 7A | 115 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: VI. Passacaglia | Ottorino Respighi, Konstantin Scherbakov | G Minor | 2 | 6A | 96 BPM | ||
Bachianas brasileiras No. 7: III. Toccata: Desafio (Joust) | Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn | B Minor | 3 | 10A | 111 BPM | ||
Bachianas brasileiras No. 4: IV. Danza: Miudinho | Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn | C Major | 2 | 8B | 109 BPM | ||
Lyric Pieces Book V, Op. 54: No. 5 Scherzo | Edvard Grieg, Emil Gilels | E Minor | 0 | 9A | 66 BPM | ||
Die Meistersinger von Nürnberg, Act 3: Prelude (Orchester) | Richard Wagner, Bavarian State Orchestra, Wolfgang Sawallisch | C Major | 4 | 8B | 49 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 5th Movement: Im Tempo des Scherzos. Wild herausfahrend | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | C Major | 1 | 8B | 97 BPM | ||
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM |
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