"St. Matthew Passion, BWV 244 / Part One: No. 33 Aria (Soprano, Alto, Chorus II): "So ist mein Jesus nun gefangen"" by Johann Sebastian Bach, Gundula Janowitz, Christa Ludwig, Wiener Singverein, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1973. With this song being about 5 minutes long, at 5:25, "St. Matthew Passion, BWV 244 / Part One: No. 33 Aria (Soprano, Alto, Chorus II): "So ist mein Jesus nun gefangen"" by Johann Sebastian Bach, Gundula Janowitz, Christa Ludwig, Wiener Singverein, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Johann Sebastian Bach, Berliner Philharmoniker, Herbert von Karajan's "J.S. Bach: Matthäus-Passion" album is number 1 out of 73. On top of that, Germany appears to be the country where this track was created. In terms of popularity, St. Matthew Passion, BWV 244 / Part One: No. 33 Aria (Soprano, Alto, Chorus II): "So ist mein Jesus nun gefangen" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of St. Matthew Passion, BWV 244 / Part One: No. 33 Aria (Soprano, Alto, Chorus II): "So ist mein Jesus nun gefangen" by Johann Sebastian Bach, Gundula Janowitz, Christa Ludwig, Wiener Singverein, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 5/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Matthäus Passion, Prima Parte: 13. Aria (Soprano): Ich Will Dir Mein Herze Schenken | Stephen Cleobury, Michael George, Johann Sebastian Bach, Rogers Covey-Crump, Michael Chance, Martyn Hill, Emma Kirkby, Choir of King's College, Cambridge, David Thomas | F♯ Major | 0 | 2B | 72 BPM | ||
IV. Wachet! Betet! Betet! Wachet! BWV 70, Prima Parte, 1. Coro: Wachet! Betet! Betet! Wachet! | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Frank Wakelkamp, Bas Ramselaar, Johann Sebastian Bach, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Pieter Jan Leusink | F♯ Major | 3 | 2B | 79 BPM | ||
I. Mache Dich, Mein Geist, Bereit BWV 115, (1) Coro: Mache Dich, Mein Geist, Bereit | Pieter Jan Leusink, Nico Van Der Meel, Peter Frankenberg, Doretthe Janssens, Bas Ramselaar, Marjon Strijk, Holland Boys Choir, Netherlands Bach Collegium, Sytse Buwalda, Johann Sebastian Bach | F♯ Major | 1 | 2B | 112 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Missa In Angustiis "Nelson Mass", Hob. XXII:11 In D Minor: Credo: Credo in unum Deum | Franz Joseph Haydn, Felicity Lott, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | B♭ Minor | 2 | 3A | 99 BPM | ||
Orfeo ed Euridice: Act I, Scene 1, Orfeo: Chiamo il mio ben così | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester | F Major | 1 | 7B | 171 BPM | ||
Die Schöpfung, Hob. XXI:2 / Zweiter Teil: 22. Arie: "Nun scheint in vollem Glanze der Himmel" | Franz Joseph Haydn, Walter Berry, Berliner Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 103 BPM | ||
Missa in tempore belli "Paukenmesse", Hob. XXII:9 in C: Kyrie | Joseph Haydn, Sylvia McNair, Delores Ziegler, Hans Peter Blochwitz, Andreas Schmidt, Sigurd Brauns, RIAS Kammerchor, Marcus Creed, Berliner Philharmoniker, James Levine | C Major | 2 | 8B | 96 BPM | ||
Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925 | Janos Sebestyen, Johann Sebastian Bach | D Major | 3 | 10B | 139 BPM | ||
Matthäus-Passion, BWV 244, Pt. 1: No. 2, Recitative. "Da Jesus diese Rede vollendet hatte" (Evangelist, Jesus) | Johann Sebastian Bach, Peter Schreier, Theo Adam, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger | C Major | 2 | 8B | 87 BPM |
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