"Orfeo ed Euridice: Act I, Scene 1, Orfeo: Chiamo il mio ben così" by Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester was released on September 28, 2001. Since Orfeo ed Euridice: Act I, Scene 1, Orfeo: Chiamo il mio ben così is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor's "Gluck: Orfeo ed Euridice" album is number 6 out of 33. The popularity of Orfeo ed Euridice: Act I, Scene 1, Orfeo: Chiamo il mio ben così is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Orfeo ed Euridice: Act I, Scene 1, Orfeo: Chiamo il mio ben così by Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester to be Vivace (lively and fast) because the track has a tempo of 171 BPM, a half-time of 86BPM, and a double-time of 342 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Gloria in excelsis Deo | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 2 | 10B | 86 BPM | ||
Vivaldi: Magnificat in G Minor, RV 611: XI. Gloria (Ed. Malipiero) | Antonio Vivaldi, Riccardo Muti, New Philharmonia Chorus, New Philharmonia Orchestra | E♭ Major | 1 | 5B | 97 BPM | ||
Orfeo ed Euridice: Act III, Scene 1: Duetto: Vieni appaga il tuo consorte | Christoph Willibald Gluck, Kerstin Avemo, Ann-Christine Biel, Maya Boog, Drottningholm Theatre Chorus, Drottningholm Court Theatre Orchestra, Arnold Östman | D♭ Major | 1 | 3B | 131 BPM | ||
Gluck: Orfeo ed Euridice: Divo Amore - Act Three | Christoph Willibald Gluck, Gilietta Simionato, Sena Jurinac, Graziella Sciutti, Wiener Philharmoniker, Vienna State Opera Chorus | D Major | 3 | 10B | 84 BPM | ||
Orfeo ed Euridice: Act III, Scene 3, Coro, Orfeo, Amore ed Euridice: Trionfi Amore, e il mondo intiero | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Maria Cristina Kiehr, RIAS Kammerchor, Freiburger Barockorchester, Veronica Cangemi | F♯ Minor | 1 | 11A | 125 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Credo: Credo in unum Deum | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 3 | 10B | 121 BPM | ||
Tristia, Op.18: 2. La mort d'Ophélie. Ballade | Hector Berlioz, Cecilia Bartoli, Myung-Whun Chung | B♭ Major | 0 | 6B | 172 BPM | ||
Vesperae solennes de confessore, K. 339: VII. Magnificat | Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire | C Major | 2 | 8B | 109 BPM | ||
Missa In Angustiis "Nelson Mass", Hob. XXII:11 In D Minor: Credo: Et resurrexit | Franz Joseph Haydn, Felicity Lott, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | D♭ Minor | 2 | 12A | 115 BPM | ||
Vivaldi: Magnificat in G Minor, RV 611: X. Sicut locutus (Ed. Malipiero) | Antonio Vivaldi, Riccardo Muti, Lucia Valentini Terrani, New Philharmonia Orchestra | C Major | 1 | 8B | 101 BPM |
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