"24 Pièces en style libre, Op. 31, Livre I: X. Rêverie" by Louis Vierne, Ben van Oosten was released on November 1, 2000. With this song being about 5 minutes long, at 4:53, "24 Pièces en style libre, Op. 31, Livre I: X. Rêverie" by Louis Vierne, Ben van Oosten is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vierne: Complete Organ Works Vol. 3 by Louis Vierne, Ben van Oosten. The song's track number on the album is #16 out of 47 tracks. Based on our data, Germany was the country where this track was produced or recorded. 24 Pièces en style libre, Op. 31, Livre I: X. Rêverie is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 24 Pièces en style libre, Op. 31, Livre I: X. Rêverie by Louis Vierne, Ben van Oosten has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 24 Pièces en style libre, Op. 31, Livre I: X. Rêverie being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Rondo Capriccioso In e Minor Opus 14 | Felix Mendelssohn, Bertrand Chamayou | E Major | 1 | 12B | 182 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
Gothic Suite Op 25: Toccata | Léon Boëllmann, William McVicker | F Minor | 1 | 4A | 134 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Dido and Aeneas, Z. 626: When I am Laid in Earth (Dido's Lament, Arr. for Cello & Orchestra by Julian Riem) | Henry Purcell, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds | G Minor | 1 | 6A | 79 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Intermezzo (3ème Symphonie) | Kalevi Kiviniemi, Jimi Järvinen, Louis Vierne | E Major | 2 | 12B | 85 BPM |
Section: 0.8280515670776367
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