"Violin Concerto, C. 37: II. Presto capriccioso alla napolitana" by William Walton, Thomas Bowes, Malmö Opera Orchestra, Joseph Swensen was released on July 14, 2023. Violin Concerto, C. 37: II. Presto capriccioso alla napolitana is about six minutes long, preciously at 6:20, making this song fairly long compared to other songs. This song is part of Walton & Barber: Violin Concertos & Works for Strings by Thomas Bowes, Malmö Opera Orchestra, Joseph Swensen. The song's track number on the album is #2 out of 9 tracks. Based on our data, United States was the country where this track was produced or recorded. Violin Concerto, C. 37: II. Presto capriccioso alla napolitana is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Violin Concerto, C. 37: II. Presto capriccioso alla napolitana by William Walton, Thomas Bowes, Malmö Opera Orchestra, Joseph Swensen has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Violin Concerto, C. 37: II. Presto capriccioso alla napolitana being at 85 BPM, the half-time would be 42 BPM with a double-time of 170 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
The music key of this track is B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sheep May Safely Graze | Johann Sebastian Bach, Leon Fleisher | B♭ Major | 0 | 6B | 98 BPM | ||
Cavatina | Stanley Myers, Andrés Madariaga, Maria-Theresa Freibott, Duo Multicorde | E Major | 1 | 12B | 91 BPM | ||
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | C Major | 0 | 8B | 66 BPM | ||
Variations on a Norwegian Folktune, Op. 31: I fjol gjaett'e gjeitinn | Johan Svendsen, Latvian National Symphony Orchestra, Terje Mikkelsen | E Major | 1 | 12B | 87 BPM | ||
Henry V, A Shakespeare Scenario: Appendix I. Watkin's Ale | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Christopher Plummer, Ian Watson, Choristers of Westminster Cathedral, Academy of St. Martin in the Fields Chorus | B Major | 0 | 1B | 175 BPM | ||
Orfeo Ed Euridice: Dance of the Blessed Spirits (Act II) | Christoph Willibald Gluck, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 75 BPM | ||
Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields, Ian Watson | D Major | 3 | 10B | 99 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
6 Impromptus, Op. 5: Impromptu No. 5 in B Minor | Jean Sibelius, Håvard Gimse | B Minor | 0 | 10A | 84 BPM | ||
Crown Imperial | English Northern Philharmonia, William Walton | C Major | 3 | 8B | 118 BPM |
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