Johann Adolf Hasse, Simone Kermes, Claudio Osele made "Come nave in mezzo all'onde" available on August 6, 2009. With this song being about 5 minutes long, at 5:26, "Come nave in mezzo all'onde" by Johann Adolf Hasse, Simone Kermes, Claudio Osele is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Simone Kermes, Claudio Osele's "Lava - Opera Arias From 18th Century Naples" album is number 6 out of 12. Come nave in mezzo all'onde is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Come nave in mezzo all'onde by Johann Adolf Hasse, Simone Kermes, Claudio Osele to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VI. Benedictus, 1. Benedictus qui venit in nomine Domini | Niccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Peter Van Heyghen | B Minor | 1 | 10A | 142 BPM | ||
Porpora: Semiramide riconosciuta, Act 2: "Se pietoso il tuo labbro" (Mirteo) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | F♯ Major | 0 | 2B | 65 BPM | ||
Ouverture in E Minor: II. Les plaisirs | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | D Minor | 2 | 7A | 114 BPM | ||
Dixit Dominus: Dixit Dominus: Coro "Dixit Dominus" | George Frideric Handel, Akademie für Alte Musik Berlin, Malcolm Bennet, Vocalconsort Berlin, Hélène Guilmette, Marcus Creed, Andreas Scholl | F♯ Minor | 4 | 11A | 108 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 87 BPM | ||
Symphony in C Major, J-C 4: II. Andante e affettuoso | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 131 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): I. Largo | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 1 | 12A | 123 BPM | ||
Cleofide: Act I Scene 1: Aria: Che sorte crudele (Cleofide) | Johann Adolf Hasse, Emma Kirkby, Agnes Mellon, Randalk K. Wong, Derek Lee Ragin, Dominique Visse, David Cordier, Rheinische Kantorei, Cappella Coloniensis, William Christie | E♭ Minor | 0 | 2A | 109 BPM | ||
Requiem In C Major: IX. Sequentia, Recordare | Johann Adolf Hasse, Il Fondamento, Paul Dombrecht, Susanna Moncayo Von Hase | B Minor | 3 | 10A | 82 BPM | ||
Bach, JS: Jauchzet Gott in allen Landen, BWV 51: No. 5, Aria. "Alleluja!" | Johann Sebastian Bach, Sabine Devieilhe, Raphael Pichon | A Major | 1 | 11B | 79 BPM |
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