Orchestra dell'Accademia Nazionale di Santa Cecilia's 'Symphony No. 40 In G Minor, First Movement: Allegro Molto' came out on November 30, 2013. Since Symphony No. 40 In G Minor, First Movement: Allegro Molto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Orchestra dell'Accademia Nazionale di Santa Cecilia's "Mozart, Maestro della Musica Classica Vol. 4" album is number 1 out of 4. In terms of popularity, Symphony No. 40 In G Minor, First Movement: Allegro Molto is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Symphony No. 40 In G Minor, First Movement: Allegro Molto by Orchestra dell'Accademia Nazionale di Santa Cecilia to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème / Act 1: "Che gelida manina" | Jonas Kaufmann, Giacomo Puccini, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 3 | 4B | 68 BPM | ||
Schubert: Ave Maria, D. 839 - Remastered | Andrea Bocelli, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | E♭ Major | 2 | 5B | 83 BPM | ||
Stabat Mater: 1. Stabat Mater dolorosa | Gioachino Rossini, Katia Ricciarelli, Lucia Valentini Terrani, Dalmacio Gonzales, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende, Roberto Benaglio | G Minor | 0 | 6A | 83 BPM | ||
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
Così fan tutte ossia La scuola degli amanti, K.588 - (L. da Ponte) - Act 1: "Soave sia il vento" | Wolfgang Amadeus Mozart, Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 2 | 12B | 74 BPM | ||
Respighi: Feste romane, P. 157: I. Circenses | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | A♭ Major | 3 | 4B | 76 BPM | ||
Norma (1997 - Remaster), Act I, Scene 1: Casta diva (Norma/Coro) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 1 | 7B | 140 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mamma" | Pietro Mascagni, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | E Minor | 2 | 9A | 168 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Il barbiere di Siviglia / Act 1: "Largo al factotum" | Gioachino Rossini, Hermann Prey, London Symphony Orchestra, Claudio Abbado | C Major | 3 | 8B | 142 BPM |
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