"Roméo et Juliette: Salut ! Tombeau sombre et silencieux" by Charles Gounod, Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong was released on January 1, 2006. Roméo et Juliette: Salut ! Tombeau sombre et silencieux is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. This song is part of Viva Opéra ! by Roberto Alagna. The song's track number on the album is #10 out of 37 tracks. In terms of popularity, Roméo et Juliette: Salut ! Tombeau sombre et silencieux is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Roméo et Juliette: Salut ! Tombeau sombre et silencieux by Charles Gounod, Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong has a tempo of 92 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Roméo et Juliette: Salut ! Tombeau sombre et silencieux being at 92 BPM, the half-time would be 46 BPM with a double-time of 184 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Faust, CG 4: Salut! Demeure chaste et pure | Charles Gounod, Jules Barbier, Michel Carré, Fernando De La Mora, Welsh National Opera Orchestra, Sir Charles Mackerras | A♭ Major | 2 | 4B | 172 BPM | ||
Rhapsody on a Theme by Paganini, Op. 43: Variation 18. Andante cantabile | Sergei Rachmaninoff, Bella Davidovich, Royal Concertgebouw Orchestra, Neeme Järvi | D♭ Major | 1 | 3B | 70 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
Fantasia on Greensleeves | Ralph Vaughan Williams, Ralph Greaves, New Zealand Symphony Orchestra, James Judd | C Minor | 0 | 5A | 78 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Barcarolle | London Philharmonic Orchestra | D Major | 1 | 10B | 80 BPM | ||
Messe solennelle de Sainte Cécile: Gloria | Charles Gounod, Barbara Hendricks, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio France, Orchestre Philharmonique de Radio France | D Major | 1 | 10B | 78 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM |
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