"Nimrod (Lux Aeterna)" by Edward Elgar, VOCES8 was released on January 1, 2015. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Voces8's "Lux" album is number 3 out of 19. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Nimrod (Lux Aeterna) is currently average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Nimrod (Lux Aeterna) by Edward Elgar, VOCES8 to be Vivace (lively and fast) because the track has a tempo of 175 BPM, a half-time of 88BPM, and a double-time of 350 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dreamweaver: 2. Dreamsong | Ola Gjeilo, Grace Davidson, The Choir of Royal Holloway, Royal Philharmonic Orchestra, Duncan Riddell, Rupert Gough | D♭ Minor | 2 | 12A | 86 BPM | ||
Allegri: Miserere - 04. Ecce Enim Veritatem | The Tallis Scholars, Peter Phillips | G Minor | 0 | 6A | 71 BPM | ||
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | ||
Requiem Aeternam | Traditional, Voces8 | B♭ Major | 0 | 6B | 92 BPM | ||
3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM | ||
J.S. Bach: J.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068: 2. Air | Johann Sebastian Bach, Orpheus Chamber Orchestra | D Major | 3 | 10B | 65 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
Peace I Leave with You | Amy Beach, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | E♭ Major | 1 | 5B | 81 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Love's Labour's Lost, Op. 28a: I. The King's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | C Minor | 0 | 5A | 86 BPM |
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