The Convalescent Also sprach Zarathustra op. 30 by Chicago Symphony Orchestra

Song Analysis

Audio information that is featured on The Convalescent Also sprach Zarathustra op. 30 by Chicago Symphony Orchestra.

Acousticness

86%

Energy

26%

Liveness

36%

Speechiness

4%

Danceability

22%

Instrumentalness

89%

Loudness

70%

Valence

9%

Harmonic Matches

Find songs that harmonically matches to The Convalescent Also sprach Zarathustra op. 30 by Chicago Symphony Orchestra. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
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Der Schwanendreher · Konzert nach alten Volksliedern für Viola und kleines Orchester: I. Zwischen Berg und tiefem Tal by Paul Hindemith, Tabea Zimmermann, David Shallon, Bayerischer Rundfunk, Bavarian Radio Symphony OrchestraDer Schwanendreher · Konzert nach alten Volksliedern für Viola und kleines Orchester: I. Zwischen Berg und tiefem TalPaul Hindemith, Tabea Zimmermann, David Shallon, Bayerischer Rundfunk, Bavarian Radio Symphony OrchestraC Major18B96
Also sprach Zarathustra, Op.30, TrV 176: Das Tanzlied - Das Nachtlied by Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von KarajanAlso sprach Zarathustra, Op.30, TrV 176: Das Tanzlied - Das NachtliedRichard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von KarajanC Major28B100
Symphony No. 5 in D Minor, Op. 47: II. Allegretto by Dmitri Shostakovich, Leonard Bernstein, New York PhilharmonicSymphony No. 5 in D Minor, Op. 47: II. AllegrettoDmitri Shostakovich, Leonard Bernstein, New York PhilharmonicC Major38B80
Violin Concerto Violin Concerto "To The Memory Of An Angel": 1. Andante - AllegroAlban Berg, Anne-Sophie Mutter, Chicago Symphony Orchestra, James LevineC Major18B89
Decept by ExcerptDeceptExcerptC Major58B128
Russian Easter Festival, Overture, Op.36 by Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme JärviRussian Easter Festival, Overture, Op.36Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme JärviC Major18B78
Orff: Carmina Burana, Pt. 1, Uf dem Anger: Chume, chum, geselle min by Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre National Du Capitole De ToulouseOrff: Carmina Burana, Pt. 1, Uf dem Anger: Chume, chum, geselle minCarl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre National Du Capitole De ToulouseC Major08B74
Fountains Of Rome, P. 106: 2. The Triton Fountain In The Morning by Ottorino Respighi, Berliner Philharmoniker, Herbert von KarajanFountains Of Rome, P. 106: 2. The Triton Fountain In The MorningOttorino Respighi, Berliner Philharmoniker, Herbert von KarajanC Major18B74
Der Freischütz, J. 277: Overture by Carl Maria von Weber, Staatskapelle Dresden, Carlos KleiberDer Freischütz, J. 277: OvertureCarl Maria von Weber, Staatskapelle Dresden, Carlos KleiberC Major28B70
The Unanswered Question by Charles Ives, New York Philharmonic, Leonard BernsteinThe Unanswered QuestionCharles Ives, New York Philharmonic, Leonard BernsteinC Major08B62
Wesendonk Lieder (orch. Mottl): Der Engel by Otto KlempererWesendonk Lieder (orch. Mottl): Der EngelOtto KlempererC Major18B176
Billy the Kid Suite: VI. Celebration. After Billy's Capture by Aaron Copland, Leonard Bernstein, New York PhilharmonicBilly the Kid Suite: VI. Celebration. After Billy's CaptureAaron Copland, Leonard Bernstein, New York PhilharmonicC Major58B171
The Fountains of Rome: I. Fountain of Valle Giulia at Dawn by Chicago Symphony Orchestra, Fritz ReinerThe Fountains of Rome: I. Fountain of Valle Giulia at DawnChicago Symphony Orchestra, Fritz ReinerC Major08B137
Also sprach Zarathustra, Op.30, TrV 176: Der Genesende by Richard Strauss, Berliner Philharmoniker, Herbert von KarajanAlso sprach Zarathustra, Op.30, TrV 176: Der GenesendeRichard Strauss, Berliner Philharmoniker, Herbert von KarajanC Major38B83
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Nielsen: Clarinet Concerto, Op. 57, FS 129: Allegretto un poco - by Carl Nielsen, Sabine Meyer, Sir Simon Rattle, Berliner PhilharmonikerNielsen: Clarinet Concerto, Op. 57, FS 129: Allegretto un poco -Carl Nielsen, Sabine Meyer, Sir Simon Rattle, Berliner PhilharmonikerC Major18B74
Scheherazade, Op. 35: IV. Allegro molto Scheherazade, Op. 35: IV. Allegro molto "Festival at Baghdad"Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence RockC Major28B84
Bluebeard's Castle: VI. Fifth Door - Bluebeard's Vast and Beautiful Kingdom by Béla Bartók, Valery Gergiev, Elenz Zhidkova, London Symphony Orchestra, Willard WhiteBluebeard's Castle: VI. Fifth Door - Bluebeard's Vast and Beautiful KingdomBéla Bartók, Valery Gergiev, Elenz Zhidkova, London Symphony Orchestra, Willard WhiteC Major28B138
Masquerade Suite: I. Waltz by Aram Khachaturian, Berlin Rundfunk Symphonie Orchester, Horst SteinMasquerade Suite: I. WaltzAram Khachaturian, Berlin Rundfunk Symphonie Orchester, Horst SteinC Major48B108
Tod und Verklärung, Op. 24, TrV 158 (Death and Transfiguration) by Richard Strauss, Pittsburgh Symphony Orchestra, Manfred HoneckTod und Verklärung, Op. 24, TrV 158 (Death and Transfiguration)Richard Strauss, Pittsburgh Symphony Orchestra, Manfred HoneckC Major18B79
Symphonie Fantastique, Op. 14, V. Dream of a Witches' Sabbath by Hector Berlioz, Frankfurt Radio Symphony Orchestra, Eliahu InbalSymphonie Fantastique, Op. 14, V. Dream of a Witches' SabbathHector Berlioz, Frankfurt Radio Symphony Orchestra, Eliahu InbalC Major18B120
Appalachian Spring: V. Subito allegro by Aaron Copland, Leonard Bernstein, New York PhilharmonicAppalachian Spring: V. Subito allegroAaron Copland, Leonard Bernstein, New York PhilharmonicC Major38B92
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Concerto for Viola & Orchestra: II. Vivo con molto preciso by William Walton, Yuri Bashmet, André Previn, London Symphony OrchestraConcerto for Viola & Orchestra: II. Vivo con molto precisoWilliam Walton, Yuri Bashmet, André Previn, London Symphony OrchestraA Minor28A136
Scheherazade: The Ship breaks up against a cliff surmounted by a bronze horseman by Nikolai Rimsky-Korsakov, Joakim SvenhedenScheherazade: The Ship breaks up against a cliff surmounted by a bronze horsemanNikolai Rimsky-Korsakov, Joakim SvenhedenA Minor58A93
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Polovtsian Dances From Prince Igor: Polovtsian Dances by Alexander Borodin, Berliner Philharmoniker, Herbert von KarajanPolovtsian Dances From Prince Igor: Polovtsian DancesAlexander Borodin, Berliner Philharmoniker, Herbert von KarajanA Minor28A96
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The Convalescent Also sprach Zarathustra op. 30 by Chicago Symphony Orchestra Information

This song is track #7 in Strauss: Also Sprach Zarathustra/Elektra/Salome by Chicago Symphony Orchestra, which has a total of 15 tracks. The duration of this track is 5:00 and was released on August 1, 2014. As of now, this track is currently not as popular as other songs out there. Unfortunately, some songs are not meant to be danced and The Convalescent Also sprach Zarathustra op. 30 might be one of them, due to it's low energy and danceability.

The Convalescent Also sprach Zarathustra op. 30 BPM

The Convalescent Also sprach Zarathustra op. 30 has a BPM of 96. Since this track has a tempo of 96, the tempo markings of this song would be Andante (at a walking pace). Overall, we believe that this song has a slow tempo.

The Convalescent Also sprach Zarathustra op. 30 Key

The key of The Convalescent Also sprach Zarathustra op. 30 is C Major. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

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