"The Convalescent Also sprach Zarathustra op. 30" by Chicago Symphony Orchestra was released on August 1, 2014. With this song being about 5 minutes long, at 5:00, "The Convalescent Also sprach Zarathustra op. 30" by Chicago Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Strauss: Also Sprach Zarathustra/Elektra/Salome". In this album, this song's track order is #7. In terms of popularity, The Convalescent Also sprach Zarathustra op. 30 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Convalescent Also sprach Zarathustra op. 30 by Chicago Symphony Orchestra having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schoenberg: 3 Piano Pieces, Op. 11: No. 1 Mässig (Viertel) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A♭ Major | 0 | 4B | 103 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Pictures At An Exhibition: The Catacombs (Sepulchrum romanum) | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Minor | 0 | 10A | 67 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Divertimento: V: Turkey Trot: Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Carmina Burana / Uf dem Anger: "Floret silva nobilis" | Carl Orff, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus | G Major | 0 | 9B | 104 BPM | ||
Symphony No. 7 In E Minor: 4. Nachtmusik: Andante amoroso | Gustav Mahler, Chicago Symphony Orchestra, Claudio Abbado | F Major | 0 | 7B | 49 BPM | ||
Dances of Galánta | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra | A Minor | 1 | 8A | 76 BPM | ||
Otello / Act 3: "Il Doge ed il Senato salutano" | Giuseppe Verdi, Dimitri Kavrakos, Luciano Pavarotti, Kiri Te Kanawa, Elzbieta Ardam, Leo Nucci, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | C Major | 2 | 8B | 77 BPM | ||
The Planets, Op. 32: 4. Jupiter, The Bringer Of Jollity | Gustav Holst, Chicago Symphony Orchestra, James Levine | G Minor | 4 | 6A | 137 BPM |
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