Dances of Galánta - Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra Information

Acousticness: 81%
Danceability: 15%
Energy: 8%
Instrumentalness: 60%
Liveness: 8%
Loudness: 60%
Speechiness: 4%
Valence: 6%
Popularity: 18%
Loudness: -23.96 dB

Summary

"Dances of Galánta" by Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra was released on October 1, 1990. Dances of Galánta appears to be safe for all ages as it is not explicit. The track order of this song in Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain's "Kodaly: Hary Janos Suite" album is number 1 out of 25. Dances of Galánta is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Dances of Galánta BPM

We consider the tempo marking of Dances of Galánta by Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Dances of Galánta Key

The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
St. Matthew Passion, BWV 244 - Part One: 1. Kommt, ihr Töchter, helft mir klagen	Johann Sebastian Bach, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti	E Minor	3	9A	139 BPM
Symphony No. 1 in D Major: III. Feierlich und gemessen, ohne zu schleppen	Gustav Mahler, Chicago Symphony Orchestra, Pierre Boulez	G Minor	0	6A	133 BPM
L'Oiseau de feu, K010: VIII. Jeu de princesses avec les pommes d'or	Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez	D Major	2	10B	87 BPM
Suite bergamasque, L. 75 (Arr. for Orchestra): I. Prélude	クロード・ドビュッシー, フランス国立リヨン管弦楽団, 準・メルクル	F Major	1	7B	90 BPM
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante	Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	C Major	1	8B	96 BPM
Japanese Suite, Op. 33: II. Ceremonial Dance	Gustav Holst, Ulster Orchestra, Joann Falletta	D♭ Major	1	3B	108 BPM
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance	Richard Strauss, Fritz Reiner	F Major	0	7B	63 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten)	Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields	C Major	1	8B	68 BPM
Masques et bergamasques Suite, Op. 112: I. Ouverture: Allegro molto vivo	Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot	F Major	1	7B	133 BPM
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo)	Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding	B♭ Major	2	6B	147 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7947342395782471

End: 0.7982611656188965