- BPM
- 81
- Key
- F Major
- Camelot
- 7B
Petite Messe solennelle - Gloria: Cum Sancto Spiritu - Gioachino Rossini, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner Information
- Acousticness
- 87%
- Danceability
- 21%
- Energy
- 3%
- Instrumentalness
- 2%
- Liveness
- 12%
- Loudness
- 44%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 4%
- Loudness
- -33.782 dB
Summary
"Petite Messe solennelle - Gloria: Cum Sancto Spiritu" by Gioachino Rossini, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner was released on October 1, 1995. Petite Messe solennelle - Gloria: Cum Sancto Spiritu is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. There are a total of 29 in the song's album "Rossini: Petite Messe solennelle; Messa di Milano". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Netherlands. Petite Messe solennelle - Gloria: Cum Sancto Spiritu is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Petite Messe solennelle - Gloria: Cum Sancto Spiritu BPM
With Petite Messe solennelle - Gloria: Cum Sancto Spiritu by Gioachino Rossini, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Petite Messe solennelle - Gloria: Cum Sancto Spiritu Key
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No. 4 in B-Flat Major, Op. 60: IV. Allegro ma non troppo | Ludwig van Beethoven, Joshua Bell, Academy of St. Martin in the Fields | A Major | 3 | 11B | 75 BPM | |
 | Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Quoniam | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | B♭ Minor | 1 | 3A | 85 BPM | |
 | Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 13, Trio and Chorus. "The Heavens Are Telling" (Chorus, Gabriel, Uriel, Raphael) | Joseph Haydn, Sir Simon Rattle, Arleen Auger, City of Birmingham Symphony Chorus, David Thomas, Philip Langridge, City Of Birmingham Symphony Orchestra | B♭ Major | 3 | 6B | 109 BPM | |
 | Serenade for Strings in E Minor, Op. 20: 3. Allegretto | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 87 BPM | |
 | Rigoletto / Act 1: "Gualtier Maldè...Caro nome" | Giuseppe Verdi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | E Major | 0 | 12B | 85 BPM | |
 | I. Il Conte Orlando: Balletto (Simone Molinaro) | Ottorino Respighi, Sir Neville Marriner, Los Angeles Chamber Orchestra | D Major | 1 | 10B | 146 BPM | |
 | Serenade for Strings in E, Op. 22: 1. Moderato | Antonín Dvořák, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 83 BPM | |
 | Intermezzo and Serenade from Hassan | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 0 | 7B | 87 BPM | |
 | The Barber of Seville, Act 1: "Largo al factotum" | Gioachino Rossini, Cesare Sterbini, Teddy Tahu Rhodes, Tasmanian Symphony Orchestra, Andrew Greene, Guy Noble | B Major | 7 | 1B | 108 BPM | |
 | Elijah, Op.70, MWV A25 / Part 1: "For He shall give His angels charge" - "Now Cherith's brook is dried up" | Felix Mendelssohn, Anne Sofie von Otter, Yvonne Kenny, Anne Dawson, Jean Rigby, Anthony Rolfe Johnson, Kim Begley, Thomas Allen, John Connell, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 108 BPM |
- ISRC
- NLA509411709
- Label
- L-M Records/RCA Records
Section: 0.7110433578491211
End: 0.7157430648803711