"Intermezzo and Serenade from Hassan" by Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner was released on January 1, 1994. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "The World of Delius". In this album, this song's track order is #6. Intermezzo and Serenade from Hassan is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Intermezzo and Serenade from Hassan by Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in A Minor, Op. 16: II. Adagio | Edvard Grieg, Garrick Ohlsson, Academy of St. Martin in the Fields, Sir Neville Marriner | A Minor | 1 | 8A | 136 BPM | ||
Serenade for Strings in C, Op.48: 3. Elégie: Larghetto elegiaco | Pyotr Ilyich Tchaikovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 0 | 10B | 116 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (d) Wieder zurückhaltend | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | F♯ Major | 0 | 2B | 144 BPM | ||
Cello Concerto in A Minor, Op. 129: II. Langsam | Robert Schumann, Yo-Yo Ma, Sir Colin Davis, Bavarian Radio Symphony Orchestra | F Major | 0 | 7B | 86 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Dolly, Op. 56: 5. Tendresse | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
On hearing the first Cuckoo in Spring | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 80 BPM | ||
Symphony No. 5 in E-Flat Major, Op. 82: 2. Andante mosso, quasi allegretto | Jean Sibelius, Boston Symphony Orchestra, Sir Colin Davis | G Major | 0 | 9B | 80 BPM | ||
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM | ||
L'Arlésienne Suite No.1, WD 40: 2. Minuetto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | A♭ Major | 0 | 4B | 78 BPM |
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