L'Orfeo / Prologo: Ritornello - Dal mio Permesso amato - Claudio Monteverdi, English Baroque Soloists, John Eliot Gardiner Information

Acousticness: 99%
Danceability: 29%
Energy: 10%
Instrumentalness: 52%
Liveness: 28%
Loudness: 68%
Speechiness: 5%
Valence: 7%
Popularity: 14%
Loudness: -18.9 dB

Summary

"L'Orfeo / Prologo: Ritornello - Dal mio Permesso amato" by Claudio Monteverdi, English Baroque Soloists, John Eliot Gardiner was released on January 1, 1987. L'Orfeo / Prologo: Ritornello - Dal mio Permesso amato is about six minutes long, preciously at 5:44, making this song fairly long compared to other songs. The track order of this song in Claudio Monteverdi, English Baroque Soloists, John Eliot Gardiner's "Monteverdi: L'Orfeo" album is number 2 out of 26. On top of that, Germany appears to be the country where this track was created. Based on our statistics, L'Orfeo / Prologo: Ritornello - Dal mio Permesso amato's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

L'Orfeo / Prologo: Ritornello - Dal mio Permesso amato BPM

We consider the tempo marking of L'Orfeo / Prologo: Ritornello - Dal mio Permesso amato by Claudio Monteverdi, English Baroque Soloists, John Eliot Gardiner to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

L'Orfeo / Prologo: Ritornello - Dal mio Permesso amato Key

A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
L'Incoronazione di Poppea, SV 308: Pur ti miro	Claudio Monteverdi, Guillemette Laurens, Michel Godard, Gavino Murgia, Fanny Paccoud, Bruno Helstroffer, Steve Swallow	F Major	1	7B	104 BPM
Vespro della Beata Vergine, SV 206: Quia fecit	Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion, Etienne Bazola, Nicolas Brooymans, Adrien Mabire, Marouan Mankar-Bennis, Pierre Gallon	C Major	3	8B	109 BPM
Ciaccona	Johann Pachelbel, Ensemble les Surprises, Louis-Noël Bestion de Camboulas	A Minor	1	8A	80 BPM
Madrigals, Book 9: Di far sempre gioire, SV 170	Claudio Monteverdi, Le Nuove Músiche, Krijn Koetsveld, Hugo Naessens, Falco van Loon, Bas Ramselaar	B♭ Major	0	6B	69 BPM
Lachrimae Antiquae Novae from Lachrimae, or Seaven Teares	John Dowland, Fretwork	G Minor	0	6A	113 BPM
Habanera	Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner	A Major	0	11B	128 BPM
Miserere: II. Amplius lava me - Tibi soli peccavi	Michel Richard Delalande, Sophie Karthäuser, Ensemble Correspondances, Sébastien Daucé	B Minor	1	10A	129 BPM
Dixit Dominus, ZWV 66: Judicabit - After Psalm 109	Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists	F♯ Minor	3	11A	121 BPM
Requiem No. 1 in C Minor: Introitus et Kyrie: Requiem aeternam	Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis	C Minor	0	5A	83 BPM
Orfeo ed Euridice (Orphée et Eurydice), Wq. 30 - Vienna Version (1762) / Act 3: "Che farò senza Euridice?"	Christoph Willibald Gluck, Andreas Scholl, Orchestra of the Age of Enlightenment, Sir Roger Norrington	F♯ Major	0	2B	103 BPM

ISRC: DEF058630504
Label: L-M Records/RCA Records

Section: 0.635413408279419

End: 0.6398930549621582