"Missa pro Defunctis (1544): Sequentia: "Dies irae"" by Cristobal de Morales, Gabrieli, Paul McCreesh was released on January 1, 1998. Since Missa pro Defunctis (1544): Sequentia: "Dies irae" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Cristobal de Morales, Gabrieli, Paul McCreesh's "Morales: Requiem - Music for Philip II" album is number 9 out of 19. Missa pro Defunctis (1544): Sequentia: "Dies irae" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa pro Defunctis (1544): Sequentia: "Dies irae" by Cristobal de Morales, Gabrieli, Paul McCreesh to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Albinoni / Giazotto : The Beatitudes (Adagio) | Tomaso Albinoni, Edward Higginbottom, Capricorn, Choir of New College, Oxford | C Minor | 2 | 5A | 95 BPM | ||
Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
MAGNIFICAT: I. Magnificat anima mea | Kim André Arnesen, Anita Brevik, Nidarosdomens jentekor, TrondheimSolistene, Magne H. Draagen, Øyvind Gimse | E Minor | 1 | 9A | 87 BPM | ||
Svete tikhii (Gentle light) | Victor Kalinnikov, St.Petersburg Chamber Choir, Nikolai Korniev | F Major | 1 | 7B | 74 BPM | ||
Veni, Lumen Cordium | Margaret Rizza | F Minor | 1 | 4A | 75 BPM | ||
L'Aria | Heinrich Ignaz Franz von Biber, Christina Pluhar | D Minor | 1 | 7A | 86 BPM | ||
Missa pro Defunctis (1544): Sequentia: "Dies irae" | Cristobal de Morales, Gabrieli, Paul McCreesh | C Major | 1 | 8B | 73 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" | Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen | D Major | 0 | 10B | 77 BPM | ||
O Jesu Dulcissime | Trio Mediæval, Arve Henriksen | D Minor | 0 | 7A | 78 BPM | ||
Passemezzo … nei boschi del Re | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | D Minor | 1 | 7A | 102 BPM |
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