On March 15, 2024, the song "Concert Royal No. 4 in E: I. Prélude. Gravement (Version for 2 Harpsichords)" was released by François Couperin, Pierre Gallon, Matthieu Boutineau. With Concert Royal No. 4 in E: I. Prélude. Gravement (Version for 2 Harpsichords) being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 20 out of 26 in Couperin: Concerts Royaux by François Couperin, Pierre Gallon, Matthieu Boutineau. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Concert Royal No. 4 in E: I. Prélude. Gravement (Version for 2 Harpsichords)'s popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Concert Royal No. 4 in E: I. Prélude. Gravement (Version for 2 Harpsichords) by François Couperin, Pierre Gallon, Matthieu Boutineau is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonate pour arpeggione [violoncelle] et piano en la mineur, D. 821: II. Adagio | Franz Schubert, Alexandre Tharaud, Jean-Guihen Queyras | E Major | 0 | 12B | 91 BPM | ||
Sœur Monique: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | F Major | 1 | 7B | 71 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.8 in E flat minor BWV853 | Daniel Barenboim | A♭ Minor | 0 | 1A | 70 BPM | ||
Mysterious Barricades | François Couperin, John Bullard, John Patykula, Neil Gladd, Paul Stokes, Catherine Hubert, Yen Yu, Molly Ruze, William Comita, Michael Grant | G Major | 1 | 9B | 108 BPM | ||
« Dolly », 6 pièces pour piano à 4 mains, Op. 56: Berceuse | Gabriel Fauré, Jean-Claude Vanden Eynden, Pierre-Alain Volondat | E Major | 0 | 12B | 142 BPM | ||
Sonata in A Minor, L 241 | Domenico Scarlatti, Vladimir Horowitz | E Minor | 0 | 9A | 79 BPM | ||
Les Pleurs (version à 2 violes) (Mr. de Sainte Colombe) | Monsieur de Sainte-Colombe, Christophe Coin, Jordi Savall | D♭ Minor | 0 | 12A | 77 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) | Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock Solisten | E♭ Major | 1 | 5B | 62 BPM |
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