Gabriel Fauré, Jean-Claude Vanden Eynden, Pierre-Alain Volondat's '« Dolly », 6 pièces pour piano à 4 mains, Op. 56: Berceuse' came out on 1989. The duration of « Dolly », 6 pièces pour piano à 4 mains, Op. 56: Berceuse is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. « Dolly », 6 pièces pour piano à 4 mains, Op. 56: Berceuse's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Franz Liszt, Frédéric Chopin, Mariam Batsashvili, Zoltán Kocsis, János Rolla, Various Artists, Sergei Rachmaninoff, Giuseppe Andaloro, Valentin Silvestrov, Anja Lechner, Silke Avenhaus, Maacha Deubner, Simon Fordham, Rosamunde Quartett, Jean-Claude Vanden Eynden, Pierre-Alain Volondat's "Musique française pour deux pianos et piano à quatre mains: Debussy, Fauré, Milhaud & Ravel" album is number 9 out of 17. On top of that, Belgium appears to be the country where this track was created. Based on our statistics, « Dolly », 6 pièces pour piano à 4 mains, Op. 56: Berceuse's popularity is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of « Dolly », 6 pièces pour piano à 4 mains, Op. 56: Berceuse by Gabriel Fauré, Jean-Claude Vanden Eynden, Pierre-Alain Volondat to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Berceuse for Violin and Orchestra, Op. 16 | Gabriel Fauré, Sinfonieorchester Basel, Ivor Bolton | D Major | 1 | 10B | 114 BPM | ||
Piano Trio in D Minor, Op. 120: II. Andantino | Gabriel Fauré, Kungsbacka Piano Trio | B♭ Major | 1 | 6B | 89 BPM | ||
Rêverie, L. 68 (Arr. by Badzura) | Claude Debussy, Daniel Hope, Zürcher Kammerorchester | F Major | 1 | 7B | 82 BPM | ||
Adoration (Arr. for Cello & Orchestra by Julian Riem) | Florence Beatrice Price, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds | G Major | 1 | 9B | 86 BPM | ||
Savior of the Nations, Come, BWV 659 (Arr. for 4 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
Serse, HWV 40: Ombra mai fu (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | A♭ Major | 0 | 4B | 70 BPM | ||
Two Dialogues with Postscript: III. Morning Serenade | Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg | E Minor | 0 | 9A | 61 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | ||
Kreisleriana, Op. 16: No. 4, Sehr langsam | Robert Schumann, Hélène Grimaud | B♭ Major | 0 | 6B | 70 BPM |
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