On July 1, 1997, the song "Mysterious Barricades" was released by François Couperin, John Bullard, John Patykula, Neil Gladd, Paul Stokes, Catherine Hubert, Yen Yu, Molly Ruze, William Comita, Michael Grant. The duration of Mysterious Barricades is about 3 minutes long, at 3:17. Based on our data, "Mysterious Barricades" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 20 in Bach on the Banjo by John Bullard. In terms of popularity, Mysterious Barricades is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Mysterious Barricades by François Couperin, John Bullard, John Patykula, Neil Gladd, Paul Stokes, Catherine Hubert, Yen Yu, Molly Ruze, William Comita, Michael Grant is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
Nocturne No. 6 in F Major | John Field, Benjamin Frith | F Major | 0 | 7B | 71 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
L'Engageante: 13ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | B Minor | 1 | 10A | 75 BPM | ||
Nocturne in B-Flat Major | Maria Szymanowska, Anna Ciborowska | B♭ Major | 1 | 6B | 78 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 Andante sostenuto "Venetianisches Gondellied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 84 BPM | ||
Les Nations - Troisième Ordre - L'Impériale; 8. Rondeau | Jordi Savall, François Couperin | D♭ Major | 1 | 3B | 148 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Cello Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | E Major | 0 | 12B | 89 BPM | ||
Pavane pour une infante défunte in G major, M. 19 | Maurice Ravel, Khatia Buniatishvili | E Minor | 0 | 9A | 63 BPM |
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