Karl Forster made "Kapitel 7.2 - Segeln" available on June 26, 2008. The duration of Kapitel 7.2 - Segeln is about 3 minutes long, at 3:10. Based on our data, "Kapitel 7.2 - Segeln" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 61 in the song's album "Segeln (Kleine Philosophie der Passionen)". In this album, this song's track order is #15. In terms of popularity, Kapitel 7.2 - Segeln is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Kapitel 7.2 - Segeln by Karl Forster having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Great Mass in C Minor, K. 427 | Wolfgang Amadeus Mozart, Maria Stader, Ivan Sardi, Karl Forster, Hertha Töpper, Ernst Haefliger, Ferenc Fricsay, Berlin Radio Symphony Orchestra, Choir of St. Hedwig Cathedral | F Major | 2 | 7B | 120 BPM | ||
Brockes-Passion, TWV 5:1, Teil I: No. 2, Chor "Mich vom Stricke meiner Sünden" (Chor gläubiger Seelen) | Georg Philipp Telemann, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | E Minor | 3 | 9A | 139 BPM | ||
Organ Concerto No. 1 in G Minor, Op. 4 No. 1, HWV 289: III. Adagio | George Frideric Handel, Karl Richter, Karl Richter Chamber Orchestra | E Minor | 0 | 9A | 140 BPM | ||
Du wahrer Gott und Davids Sohn, BWV 23: Chorale: Christe, du Lamm Gottes | Johann Sebastian Bach, Ruth Holton, Claudia Schubert, James Oxley, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 2 | 11A | 84 BPM | ||
Requiem: Requiem: 6. Terzetto (S, A, B). Rex tremendae | Johann Christian Bach, Lenneke Ruiten, Ruth Sandhoff, Thomas Bauer, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | E♭ Major | 2 | 5B | 97 BPM | ||
Missa Brevis In C Major Kv 259, Orgelsolo Messe: Benedictus | Nicol Matt, Reinhard Geller, Chrisof Fischesser, Kurpfälzisches Kammerorchester Mannheim, Nordic Chamber Choir, Barbara Werner, Petra Labitzke, Wolfgang Amadeus Mozart, Daniel Sans, Jens Wollenschläger | G Major | 1 | 9B | 113 BPM | ||
Magnificat, Wq. 215: Magnificat, Wq. 215: 4. Chor. Et misericordia eius | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | E♭ Minor | 1 | 2A | 71 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 8 in E flat minor, BWV 853 | Luc Beauséjour | G Minor | 2 | 6A | 89 BPM | ||
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (4) Choral (Tenore): Zion Hört Die Wächter Singen | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Nico Van Der Meel, Johann Sebastian Bach, Pieter Jan Leusink | D Major | 0 | 10B | 166 BPM | ||
Mass No. 2 in E Minor, WAB 27: III. Credo - Remastered 2024 | Anton Bruckner, Berliner Philharmoniker, Karl Forster, Chor der St. Hedwigs-Kathedrale Berlin | E♭ Major | 2 | 5B | 78 BPM |
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