Luc Beauséjour's 'The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 8 in E flat minor, BWV 853' came out on March 27, 2007. The duration of The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 8 in E flat minor, BWV 853 is about 3 minutes long, at 3:25. Based on our data, "The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 8 in E flat minor, BWV 853" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 15 out of 48 in Bach, J.S.: The Well-Tempered Clavier , Book I by Luc Beauséjour. The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 8 in E flat minor, BWV 853 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 8 in E flat minor, BWV 853 by Luc Beauséjour is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bist du bei mir, BWV 508 | Gottfried Heinrich Stölzel, Karina Gauvin, Luc Beauséjour | D Major | 1 | 10B | 66 BPM | ||
Trio in E-Flat Major for Viola d’amore, Bass Chalumeau & Continuo: I. Largo | Christoph Graupner, Hélène Plouffe, Mark Simons, David Jacques, Erin Helyard, Jacques-Olivier Chartier, Chloe Meyers, Amanda Keesmaat, Sophie Larivière, Olivier Laquerre | E Major | 0 | 12B | 116 BPM | ||
7 Recitatives & Fugues: Fugue No. 1, Moderato | Aram Khachaturian, Charlene Farrugia | D Major | 1 | 10B | 76 BPM | ||
Pavane in F-Sharp Minor | Louis Couperin, Luc Beauséjour | F♯ Minor | 1 | 11A | 100 BPM | ||
Pièces de Clavecin, Livre I: XIII. La Genty | Claude Balbastre, Christophe Rousset | A♭ Major | 5 | 4B | 84 BPM | ||
Ground. Z. D222 | Henry Purcell, Richard Egarr | C Minor | 1 | 5A | 98 BPM | ||
Allegro in D Major, Wq. 116/25, H. 251 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | D Major | 1 | 10B | 182 BPM | ||
Mensa sonora / PARS I (In D Major): 5. Gavotte | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 81 BPM | ||
Suite No. 2 in G Minor, Z. 661: I. Prelude | Henry Purcell, Richard Egarr | A♭ Major | 2 | 4B | 48 BPM | ||
Pieces de clavecin: Suite in A Minor - major: III. Allemande II | Jean-Philippe Rameau, Gilbert Rowland | D♭ Minor | 4 | 12A | 108 BPM |
Section: 0.5599503517150879
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