Leonard Bernstein, Warren Lee made "5 Anniversaries: No. 1, For Elizabeth Rudolf" available on April 1, 2016. With 5 Anniversaries: No. 1, For Elizabeth Rudolf being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Touches & Traces". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. 5 Anniversaries: No. 1, For Elizabeth Rudolf is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With 5 Anniversaries: No. 1, For Elizabeth Rudolf by Leonard Bernstein, Warren Lee having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 2: Habanera. Allegretto quasi Andantino (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | G Major | 1 | 9B | 125 BPM | ||
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King. Alla marcia e molto marcato | Edvard Grieg, Leonard Bernstein, New York Philharmonic | G Major | 3 | 9B | 119 BPM | ||
Candide: Overture | Leonard Bernstein, New York Philharmonic | E♭ Major | 4 | 5B | 82 BPM | ||
Symphony No.3 "Kaddish": 2. "Kaddish 2": Andante con tenerezza | Leonard Bernstein, Montserrat Caballé, Michael Wager, Vienna Boys' Choir, Israel Philharmonic Orchestra | C Minor | 0 | 5A | 70 BPM | ||
Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | B♭ Major | 4 | 6B | 106 BPM | ||
Carmen Suite No. 1: Intermezzo. Andantino quasi Allegretto (Prelude to Act III) | Georges Bizet, Leonard Bernstein, New York Philharmonic | C Minor | 2 | 5A | 137 BPM | ||
Carmen Suite No. 2: Habanera: Allegretto quasi Andantino (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | D Major | 0 | 10B | 94 BPM | ||
Grand Canyon Suite: 2. The Painted Desert | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | B Minor | 0 | 10A | 129 BPM | ||
Symphony No. 3 "Kaddish": I. "Invocation": Adagio | Leonard Bernstein, Michael Wager, Israel Philharmonic Orchestra | F Minor | 1 | 4A | 78 BPM | ||
Symphony No. 1 "Jeremiah": II. Profanation | Leonard Bernstein, Jennie Tourel, New York Philharmonic | E Minor | 3 | 9A | 79 BPM |
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