Jean-Baptiste Singelee, Bruno Canino, Sassofoni Accademia Quartet's 'Solo de Concert No. 7, Op. 93' had a release date set for January 1, 2000. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Singelee: Solo De Concert Nos. 3-7 / Duo Concertant / Fantaisies". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Italy. Based on our statistics, Solo de Concert No. 7, Op. 93's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Solo de Concert No. 7, Op. 93 by Jean-Baptiste Singelee, Bruno Canino, Sassofoni Accademia Quartet having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mendelssohn: 6 Lieder, Op. 1: No. 2 Wanderlied | Fanny Mendelssohn, Emmanuel Pahud, Eric Le Sage | D♭ Major | 1 | 3B | 91 BPM | ||
Serenade in D Major, LMV VIII:9: VI. Adagio | Leopold Mozart, Fabrice Millischer, Bayerische Kammerphilharmonie, Reinhard Goebel | D Major | 1 | 10B | 116 BPM | ||
Tchaikovsky: Suite from Pique Dame (Arr. for Trombone and Piano): XII | Pyotr Ilyich Tchaikovsky, Christian Lindberg, Roland Pöntinen | D♭ Major | 4 | 3B | 106 BPM | ||
Concerto in E-Fat Major, Hob. Vlle: 1: II. Andante | Joseph Haydn, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov | G Major | 1 | 9B | 125 BPM | ||
Concerto for Alto Saxophone and String Orchestra: 1. Lento espressivo - Allegro | Pierre Max Dubois, Eugene Rousseau, Orchestre de Chambre Paul Kuentz, Paul Kuentz | E Minor | 2 | 9A | 129 BPM | ||
Introduction, Theme and Variations in F Major, Op. 102: I. Introduction: Allegro | Johann Nepomuk Hummel, Diego Dini Ciacci, Orchestra Internazionale D'Italia | F Minor | 0 | 4A | 75 BPM | ||
A Child of our Time, Part III: Preludium | Michael Tippett, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Suite: I. Improvisation | Paul Bonneau, Sandor Rigo, Barbara Lancaricova | D♭ Major | 0 | 3B | 91 BPM | ||
String Quartet No. 37 B Minor, Op. 33 No. 1 Hob. III:37: IV. Finale: Presto - Arr. For saxophone quartet by SIGNUM saxophone Quartet | Joseph Haydn, Signum Saxophone Quartet | B Minor | 3 | 10A | 158 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 16. Allegretto | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | F♯ Major | 0 | 2B | 105 BPM |