"Tchaikovsky: Suite from Pique Dame (Arr. for Trombone and Piano): XII" by Pyotr Ilyich Tchaikovsky, Christian Lindberg, Roland Pöntinen was released on February 20, 2024. With Tchaikovsky: Suite from Pique Dame (Arr. for Trombone and Piano): XII being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Christian Lindberg, Roland Pöntinen's "Lindberg/Pöntinen: Live in USA" album is number 29 out of 33. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Tchaikovsky: Suite from Pique Dame (Arr. for Trombone and Piano): XII is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tchaikovsky: Suite from Pique Dame (Arr. for Trombone and Piano): XII by Pyotr Ilyich Tchaikovsky, Christian Lindberg, Roland Pöntinen to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No. 2 pour violon et orchestre: II. Molto moderato | Pierre Wissmer, Oleg Kaskiv, Aleksandar Markovic, Sinfonia Varsovia | G Major | 0 | 9B | 76 BPM | ||
交響曲第4番 ヘ短調 Op. 36: IV. Finale. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, NHK Symphony Orchestra, Tadaaki Otaka | A♭ Major | 2 | 4B | 67 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Arutiunian: Trumpet Concerto: II | Alexander Arutiunian, Gert Skovlod Hattesen, Christian Lindberg, Prince of Denmark Air Force Band | A Major | 0 | 11B | 67 BPM | ||
Rondo For Cello And String Orchestra, Op. 9 | Jacques Hétu, Cameron Crozman, Nicolas Ellis, Les Violons du Roy | B♭ Major | 0 | 6B | 111 BPM | ||
Symphony No. 1: III. Intermezzo | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | E Major | 4 | 12B | 163 BPM | ||
サクソフォン・ソナタ Op. 19 I. With vigor | Paul Creston, Kohei Ueno | A♭ Minor | 2 | 1A | 131 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante (1) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM | ||
Canzonette a tre voci (Excerpts Arr. for Tuba Trio): No. 10, Quando sperai del mio servir mercede, SV 10 | Claudio Monteverdi, Trio 21meter60, Constantin Hartwig, Steffen Schmid, Fabian Neckermann | G Major | 0 | 9B | 68 BPM |
Section: 0.5457096099853516
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