"Concerto for Alto Saxophone and String Orchestra: 1. Lento espressivo - Allegro" by Pierre Max Dubois, Eugene Rousseau, Orchestre de Chambre Paul Kuentz, Paul Kuentz was released on January 1, 1972. Since Concerto for Alto Saxophone and String Orchestra: 1. Lento espressivo - Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Eugene Rousseau, Paul Kuentz Chamber Orchestra, Paul Kuentz's "Ibert / Glazunov / Villa-Lobos / Dubois: Saxophone Concertos" album is number 7 out of 9. Based on our statistics, Concerto for Alto Saxophone and String Orchestra: 1. Lento espressivo - Allegro's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto for Alto Saxophone and String Orchestra: 1. Lento espressivo - Allegro by Pierre Max Dubois, Eugene Rousseau, Orchestre de Chambre Paul Kuentz, Paul Kuentz to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino | Hans Gál, Kilian Herold, Florian Donderer, Tanja Tetzlaff | F♯ Minor | 0 | 11A | 99 BPM | ||
Lux Aeterna: III. Largo | Rihards Dubra, Saxtett | G Minor | 0 | 6A | 60 BPM | ||
Pan og Syrinx, Op. 49, FS 87 | Carl Nielsen, Bergen Philharmonic Orchestra, Edward Gardner | C Major | 0 | 8B | 87 BPM | ||
Lindberg: Mandrake in the Corner: II Lento I | Christian Lindberg, ADDA Simfònica | G Major | 0 | 9B | 63 BPM | ||
Neuf Piéces Bréves pour basson et piano: VIII. Giocoso | Pierre Max Dubois, Ann Shoemaker, Kae Hosoda-Ayer | B♭ Major | 1 | 6B | 63 BPM | ||
Romance, Op. 21. Moderato | Axel Jørgensen, Jörgen Van Rijen, Alla Libo | D Major | 0 | 10B | 136 BPM | ||
Petit quatuor: III. Sérénade comique | Alfred Uhl, Pierre Max Dubois, Jean Françaix, Stark Quartet, Paolo Beltramini | B♭ Major | 2 | 6B | 79 BPM | ||
Les passions d'hiver | Rihards Dubra, Trio NYX | C Minor | 1 | 5A | 122 BPM | ||
Romeo and Juliet, Op. 64: The Montagues and Capulets | Sergei Prokofiev, Benjamin Beck, Marie Rosa Günter | E Minor | 0 | 9A | 99 BPM | ||
The Wave of the Surging Thoughts: III. Song Without Words. Passion and Emotion | Daqun Jia, Jakub Haufa, Sinfonia Varsovia, Michał Klauza | F Major | 2 | 7B | 166 BPM |
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