"Introduction, Theme and Variations in F Major, Op. 102: I. Introduction: Allegro" by Johann Nepomuk Hummel, Diego Dini Ciacci, Orchestra Internazionale D'Italia was released on March 19, 1999. The duration of Introduction, Theme and Variations in F Major, Op. 102: I. Introduction: Allegro is about 3 minutes long, at 3:17. Based on our data, "Introduction, Theme and Variations in F Major, Op. 102: I. Introduction: Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Nepomuk Hummel's "Hummel: Bassoon Concerto / Clarinet Quartet" album is number 4 out of 9. Introduction, Theme and Variations in F Major, Op. 102: I. Introduction: Allegro is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Introduction, Theme and Variations in F Major, Op. 102: I. Introduction: Allegro by Johann Nepomuk Hummel, Diego Dini Ciacci, Orchestra Internazionale D'Italia to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Solemnis in C Major, WoO 12, S74: Kyrie | Johann Nepomuk Hummel, David Griffiths, Zan McKendree-Wright, Patrick Power, Patricia Wright, TOWER Voices New Zealand, New Zealand Symphony Orchestra, Uwe Grodd | C Major | 1 | 8B | 143 BPM | ||
Das listige Bauernmädchen: No. 11, Allegro molto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
交響曲 第40番 K.550~第4楽章 | リボル・ペシェック, Czech National Symphony Orchestra | G Minor | 3 | 6A | 133 BPM | ||
Der Fischer und das Milchmädchen: VI. Air de Chassé par Écho | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Les Danaides: Act I: Dance | Antonio Salieri, Montserrat Caballé, Jean-Philippe Lafont, Andrea Martin, Carlo Tuand, Christer Bladin, Maria Trabucco, RAI Chorus, Rome, RAI Symphony Orchestra, Rome, Gianluigi Gelmetti | D Major | 1 | 10B | 121 BPM | ||
Concerto per violino N.2 in E Major, G44: Adagio | Giovanni Battista Viotti, Martha Carfi, Luis Michal, Bayerisches Kammerorchester München | A Major | 1 | 11B | 170 BPM | ||
Symphony in D Major, G. 500: IV. Presto | Luigi Boccherini, German Chamber Academy Neuss, Johannes Goritzki | D Major | 3 | 10B | 91 BPM | ||
Sinfonia concertante in F Major, Op. 38: III. Adagio | Franz Krommer, Orchestra della Svizzera Italiana, Howard Griffiths, Bruno Grossi, Marco Schiavon, Robert Kowalski | B♭ Major | 1 | 6B | 177 BPM | ||
Keyboard Sonata in A Major, Wq. 55/4, H. 186: II. Poco adagio | Carl Philipp Emanuel Bach, Christopher Hinterhuber | F♯ Minor | 0 | 11A | 131 BPM | ||
Symphonie concertante in A Major, W. C34: II. Rondeau: Allegro assai | Johann Christian Bach, Bela Banfalvi, Karoly Botvay, Budapest Strings | D Minor | 1 | 7A | 168 BPM |
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