"Tombeau de Chateaubriand" by Louis Aubert, Staatsphilharmonie Rheinland-Pfalz, Leif Segerstam was released on May 1, 2015. Tombeau de Chateaubriand appears to be safe for all ages as it is not explicit. The song is number 14 out of 14 in Aubert: Orchestral Works by Louis Aubert, Staatsphilharmonie Rheinland-Pfalz, Leif Segerstam. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Tombeau de Chateaubriand is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tombeau de Chateaubriand by Louis Aubert, Staatsphilharmonie Rheinland-Pfalz, Leif Segerstam is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
Feuille d'images (Version for Orchestra): No. 1. Confidence | Louis Aubert, Staatsphilharmonie Rheinland-Pfalz, Leif Segerstam | A Minor | 0 | 8A | 77 BPM | ||
2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | B♭ Major | 1 | 6B | 72 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Introduction & Variations on Favorite Airs from Bellini's "Norma", Op. 36: Var. 2, Andante con espressione | Elias Parish Alvars, Paola Perrucci | E♭ Major | 0 | 5B | 79 BPM | ||
Nisi Dominus, RV 608 - Arr. Cello: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
Offrande | Louis Aubert, Staatsphilharmonie Rheinland-Pfalz, Leif Segerstam | D Major | 1 | 10B | 81 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Daphnis et Chloé, M. 57, Tableau I: Lever du jour | Maurice Ravel, Orchestre Philharmonique Du Luxembourg, Gustavo Gimeno | E Minor | 0 | 9A | 88 BPM |
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