"The Art of Fugue, BWV 1080: Contrapunctus 14" by Johann Sebastian Bach, Keller Quartett was released on 1988. The Art of Fugue, BWV 1080: Contrapunctus 14 appears to be safe for all ages as it is not explicit. The track order of this song in Johann Sebastian Bach, Keller Quartett's "J.S Bach - Die Kunst Der Fuge" album is number 20 out of 20. On top of that, Germany appears to be the country where this track was created. The Art of Fugue, BWV 1080: Contrapunctus 14 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Art of Fugue, BWV 1080: Contrapunctus 14 by Johann Sebastian Bach, Keller Quartett to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elegy for Solo Viola | Igor Stravinsky, Tatjana Masurenko | C Minor | 0 | 5A | 82 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies") | Edvard Grieg, Yo-Yo Ma, Kathryn Stott | G Major | 1 | 9B | 81 BPM | ||
Waldszenen, Op. 82: 3. Einsame Blumen | Robert Schumann, Mitsuko Uchida | B♭ Major | 0 | 6B | 69 BPM | ||
Concerto in D Minor: II. Adagio | Alessandro Marcello, Johann Sebastian Bach, Céline Moinet, L'Arte del mondo, Werner Ehrhardt | D Minor | 0 | 7A | 68 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM |
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