"Elegy for Solo Viola" by Igor Stravinsky, Tatjana Masurenko was released on 2002. With this song being about 5 minutes long, at 5:29, "Elegy for Solo Viola" by Igor Stravinsky, Tatjana Masurenko is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Viola Lumina - Works for Viola Solo by Tatjana Masurenko. The song's track number on the album is #7 out of 11 tracks. Based on our data, Germany was the country where this track was produced or recorded. Elegy for Solo Viola is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Elegy for Solo Viola by Igor Stravinsky, Tatjana Masurenko has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Elegy for Solo Viola being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonies of Wind Instruments (original 1920 version) | Igor Stravinsky, Twentieth Century Classics Ensemble, Robert Craft | G Minor | 1 | 6A | 170 BPM | ||
Lullaby on an Ancient Irish Tune | Rebecca Clarke, Philip Dukes, Sophia Rahman | D♭ Major | 0 | 3B | 68 BPM | ||
Sonata for Four Hands, FP 8: I. Prelude | Francis Poulenc, Lucille Chung, Alessio Bax | C Minor | 1 | 5A | 83 BPM | ||
Cello Concerto, Op. 22: II. Andante sostenuto | Samuel Barber, Christian Poltéra, Bergen Philharmonic Orchestra, Andrew Litton | A Major | 0 | 11B | 90 BPM | ||
Sonate für Bratsche solo No. 4, Op. 31: II. Lied - Ruhig, mit wenig Ausdruck | Paul Hindemith, Tatjana Masurenko | G Major | 0 | 9B | 86 BPM | ||
Romeo and Juliet, Op. 64 (arr. V. Borisovsky for viola and piano): VI. Farewell Before Parting - Juliet's Death | Sergei Prokofiev, Vadim Borisovsky, Tatjana Masurenko, Roglit Ishay | G Major | 0 | 9B | 76 BPM | ||
Savior of the Nations, Come, BWV 659 (Arr. for 4 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
Pavane pour une infante défunte, M. 19 | Maurice Ravel, Anna Vinnitskaya | E Minor | 0 | 9A | 67 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 103 BPM |
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