Manuel de Falla, Angela Hewitt's '7 Canciones populares españolas: No. 7, Polo (Arr. Halffter)' came out on March 14, 2024. With 7 Canciones populares españolas: No. 7, Polo (Arr. Halffter) being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 36 out of 85 in An Impression of France by Francis Poulenc, Claude Debussy, Erik Satie, Maurice Ravel, Gabriel Fauré. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. 7 Canciones populares españolas: No. 7, Polo (Arr. Halffter) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 7 Canciones populares españolas: No. 7, Polo (Arr. Halffter) by Manuel de Falla, Angela Hewitt is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Mendelssohns Lieder, S. 547: Auf Flugeln des Gesanges (from Op. 34, No. 2) | Franz Liszt, Joseph Banowetz | A♭ Major | 0 | 4B | 149 BPM | ||
Die Zauberflöte, K. 620: Ach, ich fühl's, es ist verschwunden (Arr. Spindler for Oboe and Piano) | Wolfgang Amadeus Mozart, Albrecht Mayer, Fabian Müller | C Minor | 5 | 5A | 117 BPM | ||
La Vida Breve, G. 35, Act II, First Tableau, Scene I: Danza | Manuel de Falla, BBC Philharmonic, Juanjo Mena, RTVE Symphony Chorus, Nancy Fabiola Herrera, Cristina Faus, Aquiles Machado, Raquel Lojendio, Josep Miquel Ramón | G Major | 1 | 9B | 93 BPM | ||
Sonata No. 2, Op. 36: II. Non Allegro | Hélène Grimaud | E Minor | 0 | 9A | 68 BPM | ||
12 Danzas Españolas, Op. 37: 5. Andaluza | Enrique Granados, Xavier De Maistre | E Minor | 1 | 9A | 151 BPM | ||
Sonata No. 13, Hob. XVI:6: Sonata No. 13, Hob. XVI:6: III. Adagio | Franz Joseph Haydn, Jean-Efflam Bavouzet | G Minor | 0 | 6A | 74 BPM | ||
El Amor brujo: Quadre Primer: Intermezzo | Manuel de Falla, Ginesa Ortega, Josep Pons, Orquestra De Cambra Teatre Lliure | E Major | 1 | 12B | 79 BPM | ||
Naive Music: No. 2. Nocturne | Valentin Silvestrov, Elisaveta Blumina | B♭ Major | 0 | 6B | 68 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
6 Impromptus, Op. 5: Impromptu V | Jean Sibelius, Leif Ove Andsnes | B Minor | 0 | 10A | 72 BPM |
Section: 0.6557333469390869
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