"I Heard a Voice from Heaven" by Charles Villiers Stanford, Karen Kerslake, The Cambridge Singers, John Rutter was released on July 17, 2020. With this song being about 5 minutes long, at 4:53, "I Heard a Voice from Heaven" by Charles Villiers Stanford, Karen Kerslake, The Cambridge Singers, John Rutter is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 21 in the song's album "Stanford & Howells Remembered". In this album, this song's track order is #4. I Heard a Voice from Heaven is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With I Heard a Voice from Heaven by Charles Villiers Stanford, Karen Kerslake, The Cambridge Singers, John Rutter having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave Maria | Rebecca Clarke, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | A Minor | 1 | 8A | 140 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
6 Chansons: No. 5. En hiver | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | D Minor | 1 | 7A | 129 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: IV. Sanctus | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 71 BPM | ||
Kronstorfer Messe in D Minor, WAB 146: III. Benedictus | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 0 | 7A | 70 BPM | ||
In Remembrance | Eleanor Daley, Atlanta Master Chorale | E Major | 1 | 12B | 107 BPM | ||
26 Welsh Songs, WoO 155: No. 25, The Parting Kiss | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | E♭ Major | 1 | 5B | 99 BPM | ||
Jesu, the Very Thought of Thee | Edward Bairstow, York Minster Choir, Philip Moore | E♭ Major | 0 | 5B | 78 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: I. Kyrie | Josef Rheinberger, Ensemble Stuttgart, Frieder Bernius, Kammerchor Stuttgart | E♭ Major | 1 | 5B | 66 BPM | ||
21. Coro: Finale Hier liegen wir gerührte Sünder | Georg Anton Kreusser, Domkantorei St. Martin, Karsten Storck, Mainzer Domorchester | F Major | 2 | 7B | 72 BPM |
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