Charles-Marie Widor, Mathieu Dufour, Pascal Rogé's 'Suite pour Flute et Piano Op.34 : 4 Final. Vivace' came out on December 15, 2010. Suite pour Flute et Piano Op.34 : 4 Final. Vivace is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Poulenc : Sonate pour Flute et Piano etc.". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Japan. Suite pour Flute et Piano Op.34 : 4 Final. Vivace is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite pour Flute et Piano Op.34 : 4 Final. Vivace by Charles-Marie Widor, Mathieu Dufour, Pascal Rogé having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Morocco Wife | Mikko Finneman | B Minor | 1 | 10A | 84 BPM | ||
Widor: Symphony for Organ No. 5 in F Minor, Op. 42 No. 1: V. Toccata (Allegro) | Charles-Marie Widor, Ian Tracey | F Major | 2 | 7B | 58 BPM | ||
Preludium Des-Dur Op. 28 Nr 15 | Frédéric Chopin, Gedymin Grubba | D♭ Major | 0 | 3B | 76 BPM | ||
Te Deum, H. 146: I. Prélude | Marc-Antoine Charpentier, Les Agrémens, Jean Tubéry | C Major | 2 | 8B | 86 BPM | ||
Symphony No. 5, Op. 42, No. 1: V. Toccata | Charles-Marie Widor, André Isoir | F Major | 3 | 7B | 115 BPM | ||
Fanfare on "Ellacombe" | Paul Fey | B♭ Major | 2 | 6B | 68 BPM | ||
Concerto for Harp and Orchestra in C: 3. Rondo (Allegro agitato) | François-Adrien Boieldieu, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | C Minor | 2 | 5A | 95 BPM | ||
Variations on a Theme of Schumann, Op. 23: I. Theme: Andante, Leise und innig (Arr. for Orchestra by Robin Holloway) | Johannes Brahms, BBC Symphony Orchestra, Paul Mann | E♭ Major | 0 | 5B | 117 BPM | ||
8-part Crucifixus | Antonio Lotti, Tenebrae | C Minor | 1 | 5A | 171 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Variation 9: Nimrod (arr. W.H. Harris for organ): Enigma Variations, Op. 36: No. 9. Nimrod (arr. W.H. Harris) | William Henry Harris, Edward Elgar, Martin Souter | E♭ Major | 0 | 5B | 75 BPM |
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