"Concerto for Harp and Orchestra in C: 3. Rondo (Allegro agitato)" by François-Adrien Boieldieu, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown was released on January 1, 1990. Since Concerto for Harp and Orchestra in C: 3. Rondo (Allegro agitato) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Marisa Robles, Academy of St. Martin in the Fields, Iona Brown's "Harp Concertos" album is number 6 out of 12. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Concerto for Harp and Orchestra in C: 3. Rondo (Allegro agitato) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto for Harp and Orchestra in C: 3. Rondo (Allegro agitato) by François-Adrien Boieldieu, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quintet in A major, Op. 11/5, G 275: Minuetto | The Smithsonian Chamber Players | A♭ Major | 0 | 4B | 184 BPM | ||
Concerto grosso No. 12 in B Minor, Op. 6/12, HWV 330: II. Allegro | George Frideric Handel, Trevor Connah, Raymond Keenlyside, Thurston Dart, Sir Andrew Davis, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 3 | 10A | 116 BPM | ||
Dido and Aeneas, Z. 626: Overture | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | B Minor | 2 | 10A | 91 BPM | ||
Cello Concerto No. 2 in D Hob. VIIb:2 (Cadenzas: Lynn Harrell): III. Rondo (Allegro) - Cadenza | Lynn Harrell, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 134 BPM | ||
Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne (Arr. for Cello and Harp) | Camille Saint-Saëns, Jacqueline du Pré, Osian Ellis | G Major | 0 | 9B | 60 BPM | ||
Sospiri, Op. 70 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 177 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged By Wilhelm Kempff: La Plainte d'Orphée (Ballet) | Christoph Willibald Gluck, Wilhelm Kempff | D Minor | 0 | 7A | 165 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 2. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 81 BPM | ||
Sibelius: Valse triste, Op. 44 | Jean Sibelius, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 102 BPM | ||
The Four Seasons: Winter, I. Allegro non molto | Academy of St. Martin in the Fields | F Minor | 2 | 4A | 77 BPM |
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