"Te Deum, H. 146: I. Prélude" by Marc-Antoine Charpentier, Les Agrémens, Jean Tubéry was released on January 1, 2005. With Te Deum, H. 146: I. Prélude being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 15 in Charpentier: Te Deum - Messe pour plusieurs instruments by Marc-Antoine Charpentier, Chœur De Chambre De Namur, Les Agrémens, La Fenice, Jean Tubéry. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Te Deum, H. 146: I. Prélude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Te Deum, H. 146: I. Prélude by Marc-Antoine Charpentier, Les Agrémens, Jean Tubéry is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solomon, HWV 67, Act III: No. 42 Symphony: Arrival of the Queen of Sheba | George Frideric Handel, Daniel Reuss, Akademie für Alte Musik Berlin | B Major | 2 | 1B | 106 BPM | ||
Purcell : King Arthur : Act 3 "See, see, we assemble" [Chorus] Dance | William Christie | B♭ Minor | 2 | 3A | 114 BPM | ||
Céphale et Procris: Ballet des Nymphes de Diane (Airs de l'Aurore) | André-Ernest-Modeste Grétry, Sophie Karthäuser, Les Agrémens, Guy Van Waas | F Major | 1 | 7B | 79 BPM | ||
Mozart: Divertimento in D Major, K. 136 "Salzburg Symphony No. 1": I. Allegro | Wolfgang Amadeus Mozart, Ton Koopman, Amsterdam Baroque Orchestra | D♭ Major | 2 | 3B | 136 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
La Mantovana | Gasparo Zanetti, Musica Antiqua, Christian Mendoze | A Minor | 2 | 8A | 101 BPM | ||
Médée, H. 491, Act II: Chaconne | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet | G Major | 1 | 9B | 125 BPM | ||
Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12: No. 20, Chiaccona | Tarquinio Merula, London Baroque | B Major | 3 | 1B | 168 BPM | ||
Symphonie in D Major, VB 143: I. Allegro | Joseph Martin Kraus, Les Agrémens, Guy Van Waas | F♯ Minor | 1 | 11A | 88 BPM | ||
Magnificat, H. 73 | Marc-Antoine Charpentier, Les Arts Florissants, William Christie, Dominique Visse, Michel Laplénie, Philippe Cantor | F♯ Major | 1 | 2B | 92 BPM |
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