"Symphony No. 5, Op. 42, No. 1: V. Toccata" by Charles-Marie Widor, André Isoir was released on January 1, 1976. Symphony No. 5, Op. 42, No. 1: V. Toccata is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. This song is part of Widor: Toccata by André Isoir. The song's track number on the album is #17 out of 19 tracks. In terms of popularity, Symphony No. 5, Op. 42, No. 1: V. Toccata is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Symphony No. 5, Op. 42, No. 1: V. Toccata by Charles-Marie Widor, André Isoir has a tempo of 115 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Symphony No. 5, Op. 42, No. 1: V. Toccata being at 115 BPM, the half-time would be 58 BPM with a double-time of 230 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
École d'orgue, Pt. 2: No. 27, Fanfare | Jacques-Nicolas Lemmens, Gerard Brooks | F Major | 2 | 7B | 85 BPM | ||
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 133 BPM | ||
Massenet: Thaïs, Act 2 Tableau 2: Méditation (Andante religioso) | Jules Massenet, Itzhak Perlman, Lawrence Foster | E Minor | 1 | 9A | 171 BPM | ||
Water Music Suite No. 2, HWV 349 (Excerpts Arr. O. Peasgood for Organ): II. Alla Hornpipe | George Frideric Handel, David Dunnett | D Major | 0 | 10B | 70 BPM | ||
Symphonie No. 1, Op. 14 - Final | Jeremy Filsell | D Major | 3 | 10B | 85 BPM | ||
Organ Symphony No. 6 in G Minor, Op. 42 No. 2: I. Allegro | Charles-Marie Widor, Christian Schmitt | G Minor | 2 | 6A | 135 BPM | ||
30 Little Chorale Preludes, Op. 135a: No. 15. Lobe den Herren, den machtigen Konig der Ehren | Max Reger, Martin Welzel | G Major | 1 | 9B | 96 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
Symphony No. 1 in C Minor, Op. 13,1: I. Prélude (Moderato) | Charles-Marie Widor, Ben van Oosten | B Major | 3 | 1B | 168 BPM | ||
Tantum ergo, Op. 18 No. 1 | Charles-Marie Widor, James O'Donnell, Joseph Cullen, The Hyperion Chorus of Baritones, Westminster Cathedral Choir | E♭ Major | 1 | 5B | 133 BPM |
Section: 1.0404999256134033
End: 1.044689655303955