"Mass in C Major, Op. 86: IV. Sanctus" by Ludwig van Beethoven, Sir Colin Davis, London Symphony Orchestra, London Symphony Chorus was released on September 29, 2008. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 7 in Beethoven: Mass in C by Ludwig van Beethoven, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Mass in C Major, Op. 86: IV. Sanctus's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass in C Major, Op. 86: IV. Sanctus by Ludwig van Beethoven, Sir Colin Davis, London Symphony Orchestra, London Symphony Chorus is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Orfeo ed Euridice: Act II, Scene 1, Orfeo: Mille pene, ombre moleste | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor, Bernarda Fink | F Minor | 0 | 4A | 81 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: VI. Denn wir haben hie keine bleibende Statt | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | C Major | 2 | 8B | 115 BPM | ||
Tristia, Op.18: 2. La mort d'Ophélie. Ballade | Hector Berlioz, Cecilia Bartoli, Myung-Whun Chung | B♭ Major | 0 | 6B | 172 BPM | ||
Locus Iste (Motet), WAB. 23 | Anton Bruckner, Eugen Jochum, Bavarian Radio Chorus | C Major | 0 | 8B | 76 BPM | ||
Elgar: Sea Pictures, Op. 37: V. The Swimmer, "With short, sharp violent lights" (Allegro molto) | Edward Elgar, Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 102 BPM | ||
Requiem: II. Dies Irae | Giuseppe Verdi, Sir Colin Davis, London Symphony Chorus, London Symphony Orchestra | C Minor | 2 | 5A | 81 BPM | ||
The House of Life: Silent Noon | Ralph Vaughan Williams, Anthony Rolfe Johnson, Graham Johnson, Simon Keenlyside, Duke Quartet | G Major | 1 | 9B | 92 BPM | ||
Die Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Wach Auf! | Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner | G Major | 2 | 9B | 112 BPM | ||
Symphony No. 1 in B-Flat Minor: IV. Maestoso - Allegro, brioso ed ardentemente - Vivacissimo - Maestoso | William Walton, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 2 | 6B | 118 BPM | ||
Elijah, Op. 70, MWV A25 / Part 1: "As God the Lord of Sabaoth liveth" | Felix Mendelssohn, Bryn Terfel, John Bowen, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | F Major | 1 | 7B | 108 BPM |
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