Giuseppe Verdi, Sir Colin Davis, London Symphony Chorus, London Symphony Orchestra's 'Requiem: II. Dies Irae' came out on August 24, 2009. The duration of Requiem: II. Dies Irae is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Requiem: II. Dies Irae's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Requiem by Giuseppe Verdi, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis. The song's track number on the album is #2 out of 17 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Requiem: II. Dies Irae is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Requiem: II. Dies Irae by Giuseppe Verdi, Sir Colin Davis, London Symphony Chorus, London Symphony Orchestra has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Requiem: II. Dies Irae being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Masquerade Suite: Maskarad (Masquerade): I. Waltz | St. Petersburg State Symphony Orchestra, Aram Khachaturian | C Major | 3 | 8B | 94 BPM | ||
Danse Nègre - Remastered | Samuel Coleridge-Taylor, Paul Freeman, London Symphony Orchestra | D Major | 2 | 10B | 73 BPM | ||
Libera me | Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra | F Minor | 2 | 4A | 82 BPM | ||
La Traviata / Act 3: "Prendi, quest'è l'immagine" | Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Plácido Domingo, Sherrill Milnes, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber | D♭ Major | 2 | 3B | 88 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": I. Allegro | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | E Major | 2 | 12B | 113 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55: 1. Allegro non troppo e molto maestoso - Excerpt | Pyotr Ilyich Tchaikovsky, Vladimir Ashkenazy, London Symphony Orchestra, Lorin Maazel | D♭ Major | 3 | 3B | 78 BPM | ||
Piano Concerto No. 3 in D Minor, Op. 30: III. Finale. Alla breve | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | F Major | 0 | 7B | 114 BPM | ||
1812 Overture - Finale (V for Vendetta) | London Symphony Orchestra, George Richter | E♭ Major | 5 | 5B | 158 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
Carmen, Act I: No.5 Habanera : L'amour est un oiseau rebelle (Carmen/Cigarières/Jeunes gens/Dragons) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | D Major | 1 | 10B | 124 BPM |
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