"Violin Concerto No. 1: Tempo di marcia" by Krzysztof Penderecki, Isaac Stern, Stanisław Skrowaczewski, Minnesota Orchestra was released on 1979. Since Violin Concerto No. 1: Tempo di marcia is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 5 in the song's album "Penderecki: Violin Concerto". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Violin Concerto No. 1: Tempo di marcia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto No. 1: Tempo di marcia by Krzysztof Penderecki, Isaac Stern, Stanisław Skrowaczewski, Minnesota Orchestra having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spiegel im Spiegel - Version for Violin and Piano | Arvo Pärt, Vladimir Spivakov, Sergej Bezrodny | F Major | 0 | 7B | 71 BPM | ||
Arcadiana: VI. O Albion | Thomas Adès, Calder Quartet | E♭ Major | 0 | 5B | 78 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Złożenie Chrystusa do Grobu: I. Tropar | Krzysztof Penderecki, Andrzej Markowski | G Minor | 6 | 6A | 175 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
wind whispers, Op. 85: II. floating leaf | Konstantia Gourzi, William Youn | F Major | 0 | 7B | 69 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Cantus In Memory Of Benjamin Britten | Arvo Pärt, Staatsorchester Stuttgart, Dennis Russell Davies | A Minor | 1 | 8A | 67 BPM | ||
Love's Labour's Lost, Op.28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM |
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