"Arcadiana: VI. O Albion" by Thomas Adès, Calder Quartet was released on March 9, 2015. The duration of Arcadiana: VI. O Albion is about 3 minutes long, at 3:26. Based on our data, "Arcadiana: VI. O Albion" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "The Twenty-Fifth Hour: The Chamber Music of Thomas Adès". In this album, this song's track order is #13. Arcadiana: VI. O Albion is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Arcadiana: VI. O Albion by Thomas Adès, Calder Quartet having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
DANCE: V. when you’re perfectly free | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | G Major | 3 | 9B | 113 BPM | ||
Japanese Suite, Op. 33: I. Prelude: Song of the Fisherman | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 134 BPM | ||
Two Dialogues with Postscript: III. Morning Serenade | Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg | E Minor | 0 | 9A | 61 BPM | ||
Claudine A L’Ecole Print | Thomas Adès | A Major | 1 | 11B | 134 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Duet | Steve Reich, Daniel Hope, Simos Papanas, Kammerorchester Basel | F Major | 2 | 7B | 140 BPM | ||
7 Papillons: No. 7. — | Kaija Saariaho, Anssi Karttunen | G Major | 2 | 9B | 185 BPM | ||
3 Utwory w dawnym stylu (3 Pieces in Old Style): III. — | Henryk Górecki, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 0 | 8A | 130 BPM | ||
4 Morceaux, Op. 56: No. 2, Romance | Anton Arensky, Dmitrii Khrychev, Olga Solovieva | D Major | 0 | 10B | 100 BPM | ||
Lamentate: Fragile | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | D Major | 1 | 10B | 126 BPM |
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