"A White House Cantata / Part 1: If I Was a Dove" by Leonard Bernstein, Victor Acquah, London Voices, London Symphony Orchestra, Kent Nagano was released on January 1, 2000. The duration of A White House Cantata / Part 1: If I Was a Dove is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. A White House Cantata / Part 1: If I Was a Dove's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 18 in Bernstein: A White House Cantata by Leonard Bernstein, London Symphony Orchestra, Kent Nagano. A White House Cantata / Part 1: If I Was a Dove is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A White House Cantata / Part 1: If I Was a Dove by Leonard Bernstein, Victor Acquah, London Voices, London Symphony Orchestra, Kent Nagano is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
English Folk Song Suite: 1. March: Seventeen come Sunday | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | F Minor | 2 | 4A | 121 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Symphony No.29 In A Major K.186a (K. 201): Menuet & Trio | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Leonard Bernstein | A Major | 1 | 11B | 124 BPM | ||
The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Spring Rounds (1921 Version) | Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra | B♭ Minor | 1 | 3A | 67 BPM | ||
The Crown Of India: March Of The Mogul Emperors | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 4 | 10A | 90 BPM | ||
The Barber of Seville: Overture | Gioachino Rossini, Leonard Bernstein, New York Philharmonic | E Major | 2 | 12B | 175 BPM | ||
Overture (From "Wonderful Town") [Arr. C. Harmon for Orchestra] | Leonard Bernstein, Orquestra Sinfônica Do Estado De São Paulo, Marin Alsop | G Major | 3 | 9B | 96 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
Holberg Suite, Op. 40: IV. Air (Andante religioso) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | B♭ Major | 0 | 6B | 86 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM |
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