Holger Simon Paulli, Christian Gottschalch, Soren Mohl, Aalborg Symphony Orchestra, Peter Ernst Lassen made "Kermesse in Bruges , "The Three Gifts": Act II Scene 2: Geert alone" available on January 1, 2005. With Kermesse in Bruges , "The Three Gifts": Act II Scene 2: Geert alone being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 28 out of 206 in Ballet Music (Music To the Bournonville Ballets) by Aalborg Symphony Orchestra, Peter Ernst Lassen. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. Kermesse in Bruges , "The Three Gifts": Act II Scene 2: Geert alone is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Kermesse in Bruges , "The Three Gifts": Act II Scene 2: Geert alone by Holger Simon Paulli, Christian Gottschalch, Soren Mohl, Aalborg Symphony Orchestra, Peter Ernst Lassen is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Neue Pizzicato-Polka, Op. 449 | Johann Strauss II, Christian Thielemann, Wiener Philharmoniker | C Major | 0 | 8B | 87 BPM | ||
Ancient Airs And Dances, Suite No. 3, [P. 172]: 4. Passacaglia | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 3 | 6A | 116 BPM | ||
Paquita: Variation 8: Allegro | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 86 BPM | ||
Paulli: Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 3, Variation I (based on a Waltz from Adolphe Adam's "Le Diable … quatre") | Edvard Helsted, Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | B♭ Major | 2 | 6B | 109 BPM | ||
Les Sylphides: 1. Prélude in A major, Op. 28, No. 7 | Frédéric Chopin, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 131 BPM | ||
Le Corsaire: Pas d Escalve - Gulnare variation | Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland | E Major | 0 | 12B | 80 BPM | ||
Raymonda, Act II: Variation 4 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | F Major | 0 | 7B | 127 BPM | ||
La Sylphide: Act I: Effy's entrance | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | G Major | 0 | 9B | 37 BPM | ||
Explosions Polka Op. 43 | Johann Strauss II, Hallé, Bramwell Tovey | E♭ Major | 3 | 5B | 136 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Balletto | Christoph Willibald Gluck, Raymond Leppard, London Philharmonic Orchestra | F Major | 0 | 7B | 82 BPM |
Section: 0.6549935340881348
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