"La Sylphide: Act I: Effy's entrance" by Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth was released on September 1, 1986. With La Sylphide: Act I: Effy's entrance being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Herman Severin Løvenskiold, Kim Sjøgren, David Garforth's "Lovenskiold: Sylphide (La)" album is number 3 out of 17. On top of that, United Kingdom appears to be the country where this track was created. La Sylphide: Act I: Effy's entrance is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Sylphide: Act I: Effy's entrance by Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth to be Grave (very slow) because the track has a tempo of 37 BPM, a half-time of 18BPM, and a double-time of 74 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salut for August Bournonville | Hans Christian Lumbye, Royal Danish Orchestra, Frederik IX (King of Denmark) | D Major | 3 | 10B | 88 BPM | ||
Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Shylock - Final: Allegretto vivo | Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | B♭ Major | 1 | 6B | 145 BPM | ||
Sylvia: Act I: Les chasseresses (Fanfare) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | E♭ Major | 1 | 5B | 83 BPM | ||
Les Sylphides: 4. Mazurka | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | D Major | 2 | 10B | 95 BPM | ||
La Sylphide: Act I: Arrival of the Guests - Pas d'ecossaise | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | C Major | 1 | 8B | 82 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 7, Nocturne. Con moto tranquillo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 69 BPM | ||
Symphony No. 6 in F Major, Op. 68, "Pastoral": V. Shepherd's Song: Happy and Thankful Feelings after the Storm: Allegretto | Ludwig van Beethoven, Bavarian Radio Symphony Orchestra, Mariss Jansons | F Major | 1 | 7B | 179 BPM | ||
The Carnival of Animals: X. The Aviary | Camille Saint-Saëns, Hanspeter Gmür, Southgerman Philharmonic Orchestra | C Major | 4 | 8B | 99 BPM | ||
Giselle: Peasant pas de deux (arr. March): Act I: Alegretto: Second Men's Variation | Franz Burgmüller, March, Sofia National Opera Orchestra, Boris Spassov | B Major | 1 | 1B | 88 BPM | ||
Alice in Wonderland: Act I: The Tea Party (Scherzo) | Carl Davis, Prague City Philharmonic Orchestra | F Major | 1 | 7B | 126 BPM |
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